Thursday, February 24, 2011

Sun Ra - Solo Piano vol. 1 (1977)


Just as his reputation on he synthesizer was growing, Sun Ra began to play more piano again, and in a style that reached back further in jazz tradition than most would have suspected.  But those who had known him for years understood that his origins were in the blues, and assumed that side of his playing: "Sun Ra could play the blues for twenty four hours without repeating a phrase," they claimed.  Though many recognized him as capable of playing bombastically, and of using the piano for color, few thought of him as a major player.  But Paul Bley, one of the two or three leading pianists of free jazz, believed that Sonny was a great piano player, so great that he didn't need a band.  If anything, he felt, the band was a cover for his insecurity.  Early in 1977 Bley convinced Sonny to do a series of piano duo performances with him in New York and Europe and to record for Bley's new audio and video company, Improvising Artists.  In Europe Bley was surprised to see that once he was alone on stage, "Sonny was a ham who liked to clown and surprise the audience -- as at Lake Como, where he shocked them by playing a cake walk!"  On May 20 Sun Ra went into the studio to record Solo Piano, and played a mixture of his own compositions and some unusually conceived standards, such as a very freely played "Sometimes I Feel Like A Motherless Child," or "Yesterdays" done in a brisk stride.  On July 3 he was recorded solo (St. Louis Blues) while playing at Axis-in-Soho as part of the Newport Jazz Festival, and again there were surprises: his "St. Louis Blues" aluded to Earl Hines's famous boogie-woogie version and a cheerful little love song like "Three Little Words" got turned into a melodrama.  But there were modest experiments in keyboard resources as well, such as "Sky and Sun," which stayed almost entirely within a small range at the top of the keyboard.
from Szwed - Space Is The Place p. 342-343




Without his Intergalactic Space Research Arkestra to hide behind, Sun Ra recorded Solo Piano, Vol. 1, revealing a tender, gentle side always lingering but never entirely present in his days leading his large ensemble. Cutting a pair of standards -- the traditional "Sometimes I Feel Like a Motherless Child" and Duke Ellington's "Yesterday" -- and filling the rest of the disc out with original compositions, Ra extemporizes with a surprising mix of restraint and abandon, often sounding as if he is going to play it straight before launching into a key thrashing salvo that would ordinarily be accompanied by a burst of horns. Here, though, with the use of pedaling, Ra lets the notes drift off to space by themselves, lonely and floating in the void. Unfortunately, the production is far below par and Ra's piano sounds flat and lifeless throughout. 
AMG Review  by Jesse Jarnow
Released in 1977 on Improvising Artists Inc. 37.38.50, Solo Piano Volume 1.
All tracks reissued in 1992 on Improvising Artists Inc. 123850 [CD].

 
Sun Ra - Solo Piano vol. 1
Generation Sound Studio, NYC, May 20, 1977
 
1. Sometimes I feel like a motherless child    7:30
2. Cosmo rhythmatic    7:15
3. Yesterdays    4:14
4. Romance of two planets    5:14
5. Irregular galaxy    5:18
6. To a friend  7:39

FLAC
or
320

Thanks to Paul W. for his CD rip of this fine album.



7 comments:

  1. Another favorite. Guess I’m not an audiophile, but I’ve never heard the sound quality here as “far below par… flat and lifeless.” I think it sounds fine. Then again, I don’t have much patience with people who seemingly care for the quality of sound over the music itself. I used to play this album on rainy days, look out the window with a cup of coffee and dream……

    ReplyDelete
  2. many thanks - a great addition to the recent exploration of solo piano!

    I-)

    ReplyDelete
  3. Thank you for posting this and all of the other material here. I am very impressed by all the work you have done. Nearly every day brings at least something to look at or consider.

    For the future I am curious to know more about the unrecorded music that Marshall Allen talks about. He has mentioned his desire to record this work, but the books I have read don't give much evidence of what might be out there. I got the sense from what Allen said once during a performance there is large scale work Sun Ra wanted to do in the studio. Perhaps you know more about this.

    ReplyDelete
  4. I'm very glad you all are enjoying these posts. There's more solo piano posts to come.

    I think these solo piano pieces are pretty amazing, myself, and Rev.b - I'm right there with you - this is perfect rainy day music and I think it sounds fine.

    Slovenlyeric, I wish I could help! I've read that there was sheet music everywhere at Morton Street - even in the fridge! Wouldn't it be great if Marshall Allen started recording some of that stuff? A 'large scale work'... wow! I'll share any info I come across and hopefully others will too.

    ReplyDelete
  5. Probably the best we can hope for is that someone at the house with knowledge about this large work, like Marshall, etc, will have collected all the loose manuscript in a box and might attempt to reconstruct it as best as possible. I imagine it’ll be a pretty Herculean task! BTW, in honor of this album, it’s been a mystic grey rainy day here today.

    ReplyDelete