Sun Ra - Black Myth / Out In Space (1970)

After a three-week layover in Paris, the Arkestra was well-rested (if hungry) when they appeared at the Berlin Jazz Festival at the Kongresshalle on November 7, 1970. Like the Donaueschingen concert on October 17th, it was recorded for broadcast by Südwestrundfunk (SWF) and some of the music appeared on It’s After the End of the World (MPS 2120746) in 1971. (See Campbell & Trent, p.168 for the gory details of how that album is cobbled together from the two concerts.) The extant eighty-minute broadcast reels were issued for the first time on this Motor Music CD and it is another fantastic performance from this first European tour preserved in truly extraordinary sound quality. However, Szwed describes this concert as a tense confrontation with a dour and skeptical crowd:

The audience on November 7 at Berlin Jazz Days at the Kongresshalle in West Berlin was not ready for what they saw. The Arkestra opened for the premier European-based free jazz big band Globe Unity Orchestra, led by Alexander von Schlippenbach, a German pianist. Globe Unity had established itself as a grimly serious representative of the new jazz, but one which also owed less to American musical tradition than European groups of the past. The audience was not sure that what they were witnessing with the Arkestra wasn’t a parody. The sermonizing and call-and-response declamations on outer space were unsettling to begin with, but the final blow came when Sun Ra peered through a telescope aimed at the roof of the hall, and claimed he could see his native Saturn. When some of the crowd began to boo, Sonny stunned them into silence when he told them that the noise they were making was the sound of the “subhumans” (the English equivalent of the word used by the Nazis to describe the Jews): “I don’t see any subhumans in the hall, but I hear them.” Then he turned back to the band “with fire in his eyes and signaled for a kick-ass space chord,” said [James] Jacson. “And he hit the same chord on the organ. Blam!” Then he called out to Pat Patrick, and baritone screams echoed through the theater, growing wilder with each chorus, producing the essence of what New York musicians were calling “energy music,” until the audience was subdued, if not entirely overcome (p.283).

That particular altercation is not documented on this recording (as far as I can tell), but there is certainly a lot of the usual “sermonizing and call-and-response declamations,” “kick-ass space chords” and New York-style “energy music” on display, but presented with deep roots in pre-and-post-war American swing and his sense of high-camp sci-fi infused theatricality. This stuff is far from the “grimly serious” and Eurocentric approach of Globe Unity and their ilk. I like their music OK, but let’s face it, Sun Ra’s is a lot more fun! In time, the Europeans of all stripes would catch on in a big way and the Arkestra would tour The Continent regularly for the remainder of Sonny’s life, even if many critics continue to dismiss him as a charlatan, a fake.

The CD opens with Alan Silva playing some brooding bass over tinkling percussion. June Tyson sweetly sings, “Out in space is such a pleasant place…a place where you can be free, truly free, with me.” After a while, Sun Ra signals a swelling space-chord and we’re off on an almost forty-minute conducted improvisation, centered around a long, dramatic synthesizer solo, punctuated with frenzied group improv, and ending with a series of unaccompanied solos by Silva (on cello), Eloe Omoe on Neptunian libflecto and finally John Gilmore on rip-roaring tenor sax. After this tumultuous journey into outer space, Ra moves to the piano to introduce another performance of one of the “Discipline” series compositions first heard on the Paradiso tape from October 18. The improved sonics of the Berlin recoding allows one to really hear the detailed orchestration of this beautiful, through-composed work. Utilizing a somber, quasi-ballad form, the piece moves through a series of richly voiced harmonies, sometimes sweet in an almost Guy Lombardo (or rather Duke Ellington) fashion, other times sour and dissonant, with a tonally vague conclusion. Very interesting. Ra moves to the twangy clavinet to introduce “Walking on the Moon,” which features a honking bari sax solo by Pat Patrick and some additional (perhaps improvised?) lyrics by Tyson (“If you fall down, get up and walk some more; You’re like a little a baby who never walked before; So take your first step into outer space…” etc.) The super hi-fi sonics make this rare live performance of this short-lived tune a real treat.

(continue reading at NuVoid's Sun Ra Sundays)

172. [153]  Sun Ra and his Intergalactic Research Arkestra
It's After The End of the World/
Black Myth/Out In Space

Sun Ra (Farfisa org, Hohner Clavinet, p, Rocksichord, Spacemaster org, Mini-Moog syn, Hohner Electra, voc); Kwame Hadi [Lamont F. McClamb] (tp, perc); Akh Tal Ebah [Douglas E. Williams] (tp, sp-mell); Marshall Allen (as, fl, ob, picc, perc); Danny Davis (as, fl, acl, perc); John Gilmore (ts, perc, voc); Absolom Ben Shlomo [Virgil C. Pumphrey] (as, cl, fl); Danny Ray Thompson (as, bars, libf, fl, perc); Pat Patrick (bars, ts, as, cl, bcl, fl, eb, perc); Leroy Taylor [Eloe Omoe] (bcl, ob, libf, perc); Robert Cummings (bcl, perc); Augustus Browning Jr. [Al Batin Nur] (Eng hn); Alan Silva (vln, vla, clo, b); Alejandro Blake Fearon [Alex Blake] (b); Lex Humphries (d); James Jacson (large drum, perc, ob, fl); Nimrod Hunt (hand drums); Roger Aralamon Hazoumé (dance, fire eating, balafon, African perc); Math Samba (dance, perc); Gloristeena Knight [Ife Tayo] (dance, perc); June Tyson (voc, dance); Richard Wilkinson (light show).

Stadhalle, Donaueschingen,
West Germany,
October 17, 1970

174. [154]  Sun Ra and his Intergalactic Research Arkestra
It's After the End of the World/
Black Myth/Out in Space

same personnel.

Kongresshalle, West Berlin,
West Germany, November 7, 1970

-from The Earthly Recordings 2nd ed.

Black Myth / Out In Space

 includes complete scans

1.    Black Forest Myth    3:58
2.    Friendly Galaxy No.2    5:25
3.    Journey Through The Outer Darkness    12:58
4.    Strange Worlds / Black Myth / It's After The End Of The World    15:19
5.    We'll Wait For You    10:13
6.    Out In Space    37:45
7.    Discipline Series    3:28
8.    Walkin' On The Moon    9:02

9.    Outer Space Where I Came From (Recitation)    0:23
10.  Watusa    2:45
11.  Myth Versus Reality    15:00
12.  Theme Of The Stargazers    0:42
13.  Space Chants Medley (Second Stop Is Jupiter / Why Go To The Moon / Neptune / Mercury / Venus / Mars / Jupiter / Saturn / Uranus / Pluto)    5:43
14.  We Travel The Spaceways    3:03

FLAC 1 / FLAC 2

(linked files)

or

320

or for those who prefer
scans only

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