Saturday, January 26, 2013

2nd Chance: Sun Ra - Love in Outer Space: Live in Utrecht 1983 (1988)


Another good live date courtesy of Leo Records, this one from December of 1983. This release is notable for both the fairly straight-ahead program and the fact that Sunny plays LOTS of piano as opposed to his synthesizers. In fact, there are no synthesizers heard until the "Love in Outer Space/Space Is the Place" medley, which is the last track. "Blues Ra" is a special treat; nearly five minutes of Ra playing a straight 12-bar blues on piano, accompanied by only a drummer and a bass player (who is slightly buried in the mix). Sound quality is quite good, and the band is in their usual fine form. As with the rest of the Sun Ra releases on Leo, it's probably not the place to start, but well worth owning if you've already been bitten by the Sun Ra bug. 
AMG Review by Sean Westergaard 

Blues Ra

 



406. [303] Sun Ra and his Arkestra

Love in Outer Space:
Live in Utrecht


Sun Ra (p, org, syn, voc); Ronnie Brown (tp, flg, perc); Haji (tp); Tyrone Hill (tb); Marshall Allen (as, fl, perc); John Gilmore (ts, cl, timb, voc); Eloe Omoe (as, bcl, cacl, perc); Wilbur Little (b); Clifford Jarvis (d); Marvin "Boogaloo" Smith (d); Atakatune (cga); unidentified (cga); June Tyson (voc); Myriam Broche (dance); Greg Pratt (dance).
Utrecht, Netherlands
December 11, 1983
Along Came Ra (Ra)
D. 27 [Discipline 27] (Ra)
Blues Ra (Ra)
Big John Special (H. Henderson)
Fate in a Pleasant Mood (Ra) [SR, ens voc]
'Round Midnight (Hanighen-Monk-Williams)
Love in Outer Space (Ra) /
Space Is the Place (RA) [SR, JT, ens voc]

Leo LR-154 [LP and CD] was released in 1988 with the title Love in Outer Space: Live in Utrecht.  Date and location from the Leo notes; no personnel are given.  Personnel identified by rlc, with help from Danny Ray Thompson.  The unidentified conga player is the same musician who was with the Arkestra in October and November.  It is not clear whether James Glass is present on electric guitar.

from Campbell / Trent  The Earthly Recordings (2nd ed)

Sun Ra and his Arkestra
Love in Outer Space: Live in Utrecht
CD
Leo Records, 1988
CD LR 154
 1. Along came Ra   1:14
2. Discipline 27   6:03
3. Blues Ra   4:52
4. Big John's special   3:19
5. Fate in a pleasant mood   11:05
6. Round midnight   8:45
7. Love in outer space - Space is the place   19:59

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Sun Ra and his Arkestra
Love in Outer Space: Live in Utrecht
LP
Leo Records, 1988
LR 154

1. A1 D 27   6:03
2. A2 Round Midnight   8:44
3. A3 Fate in a Pleasant Mood   10:57
4. B1 Blues Ra   4:52
5. B2 Love in Outer Space / Space is the Place   19:54

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Friday, January 11, 2013

Sun Ra - 8-8-88 Live at Pit-Inn EP Collection (1988)



After years of searching, I finally obtained this set of additional material from the Pit-Inn concert of August 8, 1988.  Perhaps released only in Japan, this collection is an additional 30 minutes 31 seconds of music spread over three 33 1/3 RPM 7" records containing the balance of the performances known from this special concert.  As Jesse Jarnow mentions in his AMG review of the CD, this date captures the Arkestra in the midst of what they do best: making joyous, cosmos-sweeping music in the self-established tradition of a free big band. The recording captures the band sympathetically, managing to keep the chaos under control through a crisp and deep mix.  Combine these tracks with those offered in the last post for nearly 90 minutes of non-stop interstellar cosmo swing.


Opus Springtime



583. [389] Sun Ra Arkestra

Sun Ra (p, syn, voc); Michael Ray (tp, voc); Ahmed Abdullah (tp); Tyrone Hill (tb); Marshall Allen (as, fl, perc); John Gilmore (ts, cl, timb, voc); Danny Ray Thompson (bars, perc); Leroy Taylor [Eloe Omoe] (as, bcl, cacl,  perc); June Tyson (vln, voc); Bruce Edwards (eg); Rollo Radford (eb); Samarai Celestial (d); Earl "Buster" Smith (d).
Pit-Inn, Shinjuku, Tokyo,
August 8, 1988


Introduction /
Cosmo Approach Prelude (Ra)
Angel Race /
I'll Wait for You (Ra) [SR, ens voc]
Can You Take It? (Henderson)
If you Came from Nowhere Here [Carefree] (Ra)
Astro Black (Ra) [JT, MR, ens voc; SR, ens voc]
Prelude to a Kiss (Ellington)
Why Was I Born? (Kern) [MR voc]
Interstellar Lo Ways [Low Ways] (Ra)
Queer Notions (Hawkins)
Prelude No. 7 (Chopin)
East of the Sun (Bowman) [JG voc]
Frisco Fog (Carr-Roberts)
Opus Springtime (Ra)
Cosmos Swing Blues (Ra)

Cosmo Omnibus Imagiable Illusion: Live at Pit-Inn was issued in 1988 on DIW 824 [CD] and DIW 8024 [LP].  There was also a special LP picture disc, in a limited edition of under 1000, DIWP 2.  Other material from this concert was included in three 7-inch 33-rpm extended-play singles, titled "Live at Pit Inn Tokyo 8-8-88 Volume One/Two/Three," DIW DEP 1-1, 1-2, and 1-3.  Date, location, and personnel from the CD leaflet.  The order in which the pieces were actually performed is not known.  Thanks to John Szwed for information about the picture disk and to Mark Webber for information about the three EPs. 
from Campbell / Trent  The Earthly Recordings 2nd ed.




Sun Ra Arkestra
Live at The Pit-Inn 8-8-88
DIW Records  DIW DEP 1-1, 1-2, and 1-3 (EP Collection) 1988


1. Queer Notions (Coleman Hawkins)   3:23
2. Prelude No. 7 (Chopin)   5:02
3. East of the Sun (Brooks Bouman)   3:22
4. Frisco Fog (Sun Ra)   3:37
5. Opus Springtime (Sun Ra)   7:45
6. Cosmo Swing Blues (Sun Ra)   7:25


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Thursday, January 3, 2013

Sun Ra - Cosmo Omnibus Imagiable Illusion: Live at Pit-Inn (1988)


Bright sounding and energetic, Sun Ra & His Arkestra transcended the damaging effects of the 1980s on jazz by simply doing what they always did: making joyous, cosmos-sweeping music in the self-established tradition of a free big band. The recording captures the band sympathetically, managing to keep the chaos under control through a crisp and deep mix. Though featuring mainstay Arkestra vocalist June Tyson on a number of tracks (including the elegiac "I Wait for You"), the highlights here are the band's sweet takes on shorter charts, such as Ra's swinging "Can You Take It?," Duke Ellington's classic "Prelude to a Kiss," and Jerome Kern's tender "Why I Was Born." Also of note is a gently lurching take on "Astro Black," one of Ra's most enduring melodies. Containing manageable bits of many of the Arkestra's foci, this disc provides a good introduction to Sun Ra's work.
AMG Review by Jesse Jarnow


A classic Arkestra live set from the end of the 80s -- beautifully recorded, and put together with a lot more dynamic energy than some of the less professional Sun Ra live dates from the time! The set runs for nearly an hour in length, and tracks are long, but often quite focused -- served up with a good deal of soulfulness in both the rhythms and horn work, as well as some of that Ellington-inspired tightness that marked Ra's best later years. Players include Michael Ray, John Gilmore, Tyrone Hill, Marshall Allen, John Gilmore, and Ahmed Abdullah -- and titles include "Astro Black", "If You Came From Nowhere Here", "Can You Take It", "Angel Race/I Will Wait For You", "Cosmo Approach Prelude", and "Interstellar Lo-Ways".
Dusty Groove


****1/2
Sometimes I think I'm just sentimental about late period Ra; after all, it was how I was introduced to the music. But then I listen again to albums like this and I think that Michael Ray (or is it Ahmed Abdullah?) burns as brightly on trumpet as Gilmore did on sax once upon a time, that Gilmore himself (plus Marshall Allen and Danny Thompson) sounds as good as he ever did even if I'm more familiar with his bag of tricks, that Leroy Taylor's clarinets add as much new flavor to the ensemble as the trumpets, and that a new tune like "If You Came From Nowhere Here" is as good as the mellow stroll of "Interstellar Lo-Ways" or the freer exercise of "Astro-Black." Though to be honest, "If You Came..." is the first Ra song I ever heard, albeit under the name "Egyptian Fantasy," so maybe I'm being a tad sentimental. If one could ever call an Arkestra typical, this is not a typical one, with trumpets and bass clarinet and guitar all taking more prominent roles, and the clarion call of Ra's synthesizer coupled with his stately piano on two standards overseeing the proceedings. This is a fine one, and for me at least, ranks near the top of the many live recordings of this era.
RateYourMusic.com customer review by "nervenet"


The wild, wooly, wacky and wonderful Sun Ra; composer, keyboardist, philosopher, outer-space free-spirit; in a live concert form Tokyo, Japan, 1988. The band plays 6 of Ra's cosmic originals plus its own outrageous takes on Duke Ellington's Prelude To A Kiss and Jerome Kern's Why Was I Born, with a nutty vocal by Michael Ray. Other highlights: soloing of alto saxophonist Marshall Allen and tenor saxophonist John Gilmore.
from Downtown Music Gallery





583. [389] Sun Ra Arkestra

Sun Ra (p, syn, voc); Michael Ray (tp, voc); Ahmed Abdullah (tp); Tyrone Hill (tb); Marshall Allen (as, fl, perc); John Gilmore (ts, cl, timb, voc); Danny Ray Thompson (bars, perc); Leroy Taylor [Eloe Omoe] (as, bcl, cacl,  perc); June Tyson (vln, voc); Bruce Edwards (eg); Rollo Radford (eb); Samarai Celestial (d); Earl "Buster" Smith (d).

Pit-Inn, Shinjuku, Tokyo,
August 8, 1988


Introduction /
Cosmo Approach Prelude (Ra)
Angel Race /
I'll Wait for You (Ra) [SR, ens voc]
Can You Take It? (Henderson)
If you Came from Nowhere Here [Carefree] (Ra)
Astro Black (Ra) [JT, MR, ens voc; SR, ens voc]
Prelude to a Kiss (Ellington)
Why Was I Born? (Kern) [MR voc]
Interstellar Lo Ways [Low Ways] (Ra)
Queer Notions (Hawkins)
Prelude No. 7 (Chopin)
East of the Sun (Bowman) [JG voc]
Frisco Fog (Carr-Roberts)
Opus Springtime (Ra)
Cosmos Swing Blues (Ra)


Cosmo Omnibus Imagiable Illusion: Live at Pit-Inn was issued in 1988 on DIW 824 [CD] and DIW 8024 [LP].  There was also a special LP picture disc, in a limited edition of under 1000, DIWP 2.  Other material from this concert was included in three 7-inch 33-rpm extended-play singles, titled "Live at Pit Inn Tokyo 8-8-88 Volume One/Two/Three," DIW DEP 1-1, 1-2, and 1-3.  Date, location, and personnel from the CD leaflet.  The order in which the pieces were actually performed is not known.  Thanks to John Szwed for information about the picture disk and to Mark Webber for information about the three EPs. 
from Campbell / Trent  The Earthly Recordings 2nd ed.

Sun Ra Arkestra
Cosmo Omnibus Imagiable Illusion: Live at Pit-Inn
Shinjuku, Tokyo Japan 8-8-88
DIW Records  DIW-824 [CD] 1988


1. Introduction - Cosmo Approach Prelude   7:30
2. Angel Race - I Wait For You   7:19
3. Can You Take It?   3:14
4. If You Came From Nowhere Here   10:27
5. Astro Black   11:23
6. Prelude To A Kiss   5:12
7. Why Was I Born   5:57
8. Interstellar Lo-Ways   7:23


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Saturday, December 29, 2012

2nd Chance: Sun Ra - The Night of the Purple Moon (1970)


In mid-1970, Sun Ra reentered Variety Recording Studio, this time with a bare-bone Arkestra and yet another new electronic keyboard in tow, the RMI Rocksichord. In his perceptive liner notes to this CD, John Corbett describes the sound of the Rocksichord as an “unforgettable nasal quack,” and that’s a pretty accurate description of this primitive, transistorized electric piano. In another person’s hands, this would sound cheesy and (now) hopelessly out of date. But Ra builds solid, evocative compositions around the instrument and it is, inexplicably, just exactly perfect. Unfortunately, the original tapes were unsalvageable, so this reissue had to be sourced from a clean LP. There’s plenty of surface noise present, so at least we can be thankful the producers didn’t get carried away with the noise reduction and de-clicking, which can often just make things worse. Although Impulse! was prepared to reissue this album in late-seventies, it has remained an ultra-rare artifact until Atavistic released this CD in 2007. Despite the less-than-perfect sound-quality, The Night of the Purple Moon is one of the great Sun Ra albums – and one of my favorite albums of all time.

Gilmore plays mostly drums throughout, only pulling out the tenor saxophone for “Impromptu Festival,” where Danny Davis sits in on the drum stool. While neither were virtuoso drummers, they were more than adequate and, most importantly, well understood the unique rhythmic feel of Ra’s music. Stafford James produces a beautiful, rounded tone on the electric bass, at times almost sounding like an upright acoustic. Sadly, this was James’s only recorded appearance with the Arkestra. “Sun Earth Rock” sets the tone with the quacking Rocksichord changes over a medium groove and a simple, bluesy head. After a bouncy keyboard interlude, Davis peals off a brief, but astonishingly fluent alto sax solo. “The All of Everything” is a pretty ballad with Davis adding some mellifluous flute to Ra’s gently rippling chords. Gilmore’s tenor solo on “Impromptu Festival” is another example of his sheer genius: opening with a sort of fanfare, he bends and twists the two-note melody and massages the stiff, pre-bop rhythms to construct a trenchant, incisive statement.
(continue reading at the always wonderful NuVoid - Sun Ra Sunday blog)


This one is quirky, even in the Sun Ra catalog. Ra fronts a quartet playing nothing but miniMoog and Rocksichord, along with Stafford James on electric bass, Danny Davis on alto, clarinet, flute, and bongos, and John Gilmore on drums! Gilmore has a skittering approach to the drums, which are curiously mic'ed with the hi-hat being especially prominent. Ra's playing doesn't get too far out, although the tones of the Rocksichord and miniMoog are rather humorous, and most of the tunes are quite playful. Davis provides some fine alto, clarinet, and a number of freak-outs, with James anchoring the proceedings. Davis and Gilmore switch roles for "Impromptu Festival" for a taste of Gilmore's tenor while "Dance of the Living Image" has Gilmore on drums and Davis on bongos. The best point of reference for this album is "The Perfect Man" off the Singles compilation, except "The Perfect Man" uses miniMoog exclusively, and Gilmore is a more solid drummer than Danny Davis. Lots of fun and slightly goofy, Night of the Purple Moon is an entertaining curiosity within a singularly unique discography. [The 2007 Atavistic reissue includes four bonus cuts. The first is simply an alternate take of "Love in Outer Space." The others are home recordings with Ra on Wurlitzer. They aren't especially revelatory, but it's great to simply have this LP widely available. Since the master tapes were damaged, the Atavistic release was mastered from an unplayed vinyl copy.]
AMG Review by Sean Westergaard


163. [145] Sun Ra and his Intergalactic Astro-Solar Infinity Arkestra

The Night of the Purple Moon
Sun Ra (Rocksochord -1; two Mini-Moogs, Rocksichord -2); John Gilmore (ts -3; d -4); Danny Davis (d -3; as -5; fl -6; acl -7; bgo -8); Stafford James (eb except -2).
Variety Recording Studio, NYC, mid-1970


Sun-Earth Rock (Ra) -1, 4, 5
The All of Everything (Ra) -1, 4, 6
Impromptu Festival (Ra) -1, 3
Blue Soul (Ra) -2
Narrative (Ra) -2
Outside the Time Zone (Ra) -2
The Night of the Purple Moon (Ra) -1, 4, 7
A Birds-Eye View of Man's World (Ra) -1, 4, 7
21st Century Romance (Ra) -1, 4, 6
Dance of the Living Image (Ra) -1, 4, 8
Love in Outer Space (Ra) -1, 4, 7, 8
Love in Outer Space [alt.] (Ra) -1, 4, 7, 8

From The Earthly Recordings of Sun Ra 2nd ed.


Sun Ra & His Intergalactic Infinity Arkestra
The Night of the Purple Moon
(Atavistic CD)

 1.    Sun-Earth Rock    4:45
 2.    The All Of Everything    4:26
 3.    Impromptu Festival    4:05
 4.    Blue Soul    3:50
 5.    Narrative    2:59
 6.    Outside The Time Zone    5:05
 7.    The Night Of The Purple Moon    3:50
 8.    A Bird's Eye View Of Man's World    3:07
 9.    21st Century Romance    4:11
10.  Dance Of The Living Image    4:43
11.  Love In Outer Space    3:53
12.  Love In Outer Space (Alternate Take)    5:06
13.  Wurlitzer And Celeste    1:56
14.  Wurlitzer Solo 1    2:04
15.  Wurlitzer Solo 2    2:09

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1970 was certainly an auspicious year in Sun Ra’s recorded legacy. Not only were the two volumes of My Brother the Wind recorded, so too was this little gem. My original El Saturn vinyl, along with every copy I encountered back in the day sounded like they had been mastered from a playback machine with dirty heads. On both The All of Everything and 21st Century Romance, about a third of the way in, the audio fog lifts and suddenly John Gilmore’s hi hat kicks in. Sonny’s keyboard sounds clearer as well. The problem lasts all the way through Impromptu Festival, to the point that, until I came across the 180g reissue, I really couldn’t make out much of Danny Davis’ drum work at all. The CD reissue on Atavistic says it comes from an original El Saturn issue. Since it doesn’t have these drop outs, I guess the ones I’ve come across were from a later pressing. The vinyl they used for the CD had a fair amount of surface noise, so as far as I know, the 180g vinyl reissue is the best quality version around. Hope you’ll agree and enjoy. It’s certainly one of the many albums that sealed the deal for me with Sun Ra!
-rev.b

Sun Ra & His Intergalactic Infinity Arkestra
The Night of the Purple Moon
(LP Reissue)
Many Thanks to Rev.b for this rip!

1.  Sun-Earth Rock   4:38
2.  The All Of Everything   4:23
3.  Impromptu Festival   4:02
4.  Blue Soul   3:49
5.  Narrative   2:56
6.  Outside The Time Zone   5:01
7.  The Night Of The Purple Moon   3:46
8.  A Bird's Eye View Of Man's World   3:06
9.  21st Century Romance   4:08
10. Dance Of The Living Image   4:38
11. Love In Outer Space   3:58

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Tuesday, December 25, 2012

2nd Chance: Sun Ra - Calling Planet Earth (1971) - Calling Planet Earth Box CD 3



The Paris concert was supposed to be the last of this ill-fated tour -- but at the last minute, Sun Ra decided to go to Egypt. Someone had tipped him off to cheap airfare from Copenhagen to Cairo and a handful of gigs in Denmark were cobbled together to pay for a trip to the Land of the Pharaohs (see Campbell & Trent p.178). Egypt was a place of obvious spiritual importance to Sun Ra, but half of the rapidly shrinking Arkestra bailed out and returned home. Nevertheless, the core musicians dutifully carried on with the shoe-string adventure. As it turned out, the Danish promoters failed to pay, and Sonny financed the trip by selling a batch of tapes to the Black Lion label, the desperate transaction taking place on the tarmac as the Cairo-bound plane awaited its departure (Id. p.179; Szwed p.292). Among those tapes was a recording from Odense on December 3, 1971 but never issued (has anyone heard this?) and the December 5th concert from the Tivoli Theatre in Copenhagen, which was finally released by the DA Music/Freedom label as Calling Planet Earth in 1998.

The homemade stereo recording was made from the stage (probably by Tommy Hunter), and while it sounds fine, there is some distortion during the loudest parts and you can hear the seams of a hasty editing job. Hunter’s voice (likely recorded in the hotel room afterwards) announces the date and venue before cutting into a brief turbulent percussion jam, which serves as an introduction to “Discipline 5.” The through-composed sequence of sweet-n-sour harmonies rises and falls over the busy percussion section, yielding to an unaccompanied alto saxophone solo by Danny Davis, and returning for the reprise. Kwami Hadi remains as the only brass player, but the saxophone section is full and lush: besides Davis, mainstays Marshall Allen, John Gilmore, Pat Patrick, Danny Thompson, and Eloe Omoe and newcomers Larry Northington and Hakim Rahim are all present and help to flesh out the intricate arrangement. “Discipline 10” is more groove-oriented, propelled by Ra’s barbequed organ comping over which the Arkestra riffs on a handful of big-voiced chords. Ra solos interestingly on organ while Patrick grinds out a stumbling bass line until Gilmore enters with a fiercely overblown solo on tenor sax. Unfortunately, he’s way off-mic and hard to hear. Even so, you can tell he’s really blowing his ass off! After a return of the head, Ra steers the band into a nicely sung rendition of “Enlightenment." A severely truncated version of “Love in Outer Space” ends what would have been side one of the LP, fading out just as things start to come to a boil.
(Continue reading at NuVoid's Sun Ra Sundays)


187. [163]  Sun Ra Arkestra

Calling Planet Earth


Sun Ra (org); Kwame Hadi (tp, cga); Marshall Allen (as, fl, perc); Danny Davis (as, fl); Larry Northington (as, cga); John Gilmore (ts, perc, d); Pat Patrick (bars, eb); Danny Thompson (bars, fl); Eloe Omoe (bck, fl); Hakim Rahim (as, fl); Clifford Jarvis (d); Tommy Hunter (d, as); Lex Humphries (d); June Tyson (voc, dance); prob. Cheryl Banks (dance, voc); prob. Wisteria el Moondew [Judith Holton] (dance, voc); Richard Wilkinson (light show).


Tivoli Hall, København, Denmark,
December 5, 1971


This live tape was hastily edited after the concert (Tommy Hunter's voice announces the date and location) and sold to Black Lion at the Copenhagen airport….  Black Lion never issued the material, but in April 1998, DA Music issued it on Calling Planet Earth (Freedom 741071).  This was also included as the third CD in the three-CD box titled Calling Planet Earth (Freedom 7612).
from The Earthly Recordings 2nd ed. Campbell/Trent



Calling Planet Earth (1971)

1. Untitled percussion intro   1:45
2. Discipline no. 5   2:50
3. Discipline no. 5 (continued)   2:40
4. Discipline no. 10   8:17
5. Enlightenment   2:50
6. Love in Outer Space   2:42
7. Discipline no. 15/The Satellites Are Spinning   6:50
8. Calling Planet Earth/The Outers   9:59
9. Adventures Outer Planes   7:31

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Friday, December 21, 2012

2nd Chance: Sun Ra - Spaceways (1966) - Calling Planet Earth Box CD 2


This record certainly has a tortured discographical history! In December, 1971, Sun Ra sold a cache of tapes to the Black Lion label so as to pay the Arkestra’s traveling expenses from Denmark to Egypt. Sadly, much of this music was never released. In 1974, El Saturn released this album as Outer Spaceways Incorporated (143000A+B) – although it was sometimes entitled A Tonal View of Times Tomorrow, Vol.3. Inexplicably, some of this music also appeared on numerous hybrid pressings of later Saturn albums such as Primitone and Invisible Shield among others. Finally, in 1998, the German DA Music label released a three-CD box set entitled Calling Planet Earth (Freedom 7612), containing some (but not all) the Black Lion holdings, wherein this album is stupidly re-titled Spaceways. I say stupidly because another disc in this otherwise fine box set is inanely titled Outer Spaceways Incorporated, making an already confusing discography needlessly opaque. This is the kind of thing that makes Campbell and Trent’s Earthly Recordings of Sun Ra so absolutely necessary!

In any event, Spaceways (or whatever you want to call it) is a great companion piece to the classic Nothing Is. Most of the music appears to have been recorded around 1966, given the presence of the trombonist Teddy Nance (who died in 1967) and Ra’s distinctive piano/Clavioline combo. Recorded in stereo, it offers remarkably good sound quality for the period. The first track, “Prelude and Shadow-Light World” (originally titled “Chromatic Shadows” on the El Saturn LP), opens with a long, dramatic piano introduction which prepares the way for the ensemble chant, “Sun Ra and His Band from Outer Space.” Then comes the notorious “Shadow World,” which is marked by a slightly more relaxed tempo than usual and a honking, wailing bari sax solo from Pat Patrick. Ra takes a solo turn before giving way to burbling percussion. Finally, Ra conjures up a mammoth space chord to bring things to a close. The second track, “The Wind Speaks,” appears to be from the same concert and is another beautiful Ra ballad featuring a choir of flutes and piccolo. Eventually, Boykins takes a solo turn with the bow and Ra enters to duet on the electric Clavioline. Ra then returns to the piano for some frenetic variations on the theme before an elegiac, full ensemble re-statement. This composition was later re-titled “Somebody Else’s World” after acquiring lyrics. 


Prelude and Shadow-Light World
(Chromatic Shadows)


127. [112]  Sun Ra and his Arkestra

Outer Spaceways Incorporated /
Primitone /
Spaceways


Sun Ra (p, Clavioline, gong); Teddy Nance (tb); Bernard Pettaway (tb); Marshall Allen (as, ob, fl, picc, perc); Danny Davis (as, fl, perc); John Gilmore (ts, perc); Pat Patrick (bars, fl, bgo); Robert Cummings (bcl, perc); Ronnie Boykins (b); Clifford Jarvis (d); poss. Lex Humphries (d); James Jacson (log drums, fl); Carl Nimrod [Carl S. Malone] (hand drums).

prob. New York City, 1966

          Chromatic Shadows (Ra)
          [incl. Sun Ra and His Band from Outer Space and The Shadow World] [ens voc]
          The Wind Speaks (Ra)
          Outer Spaceways Incorporated (Ra) [ens voc]

These tracks were issued in 1974 on (Philadelphia) Saturn 143000A/B, Outer Spaceways Incorporated.  All tracks from this album were sold to Black Lion in December 1971 but never released on that label (the 1998 CD on Freedom comes from the Black Lion holdings -- see below).  The album has also appeared with a Chicago label and the serial number Saturn LP 530.  sometimes titled A Tonal View of Times Tomorrow volume 3.  The album was derived from three live concerts; all of these probably took place in New York City.  The date is based on stylistic considerations and the fact that Teddy Nance died in 1967.  Mark Webber gives 1967 as the date; Julian Vein says 1967-1968.  Note that "Sun Ra and His Band from Outer Space" opens the concert, instead of closing it, as it did on "Atlantis" and at later performances.  Also there is no organ or Clavinet.  Personnel identified by rlc; Ali Hassan was given as one of the trombonists in the first edition.

This album was completely omitted from discographies before Webber's because Side A (matrix 143000A) of this album frequently replaced the original Side A of My Brother the Wind Volume II on hybrid pressings.  Undoctored copies of Outer Spaceways Incorporated with the original Side B (matrix 143000B) are considerably less common.  "The Wind Speaks" was retitled "Somebody Else's World" after Sun Ra added lyrics.

Also, some copies of The Invisible Shield are hybrids that include 144000B as Side A and 143000B as Side B.  According to Urs Berger, these  hybrids have bluish Philadelphia Saturn labels and a 1973 date, and were sold in plain white porthole sleeves.

There is another distinct hybrid, issued on the Philadelphia Saturn label in the 1970s, that includes 143000A as Side A and 14200A (from Space Probe) as Side B.  It is titled Primitone (thanks to Hartmut Geerken and Urs Berger for information).  It was re-pressed and distributed by Recommended Records in the early 1980s.

Still another hybrid involves 143000B (the side that is much less often encountered on Saturn LPs).  This is a hybrid Invisible Shield that carries 14400B as Side A and 143000B as Side B.  Urs Berger's copy has bluish labels from Philadelphia (with a 1973 date) on both sides and was sold in a plain white  porthole sleeve.  Another pressing of this hybrid was sold at concerts in Britain in 1990 and 1991; copies had a blue-purple Chicago-style El Saturn label and a plain white sleeve.

All tracks from the original Saturn album were reissued in April 1998 as Spaceways (Freedom CD 740147).  This was originally part of a three-CD set titled Calling Planet Earth (Freedom 7612).  On this release the first track was titled "Prelude and Shadow-Light World" (apparently following notations that accompanied the tape that was sold to Black Lion).


128. [112a]  Sun Ra and his Arkestra
Outer Spaceways Incorporated /
Primitone


Sun Ra (p.); Marshall Allen (voc, perc); Danny Davis (voc, perc); John Gilmore (voc, perc); Pat Patrick (voc, perc); Robert Cummings (voc, perc); Ronnie Boykins (b, voc); Clifford Jarvis (d); poss. Lex Humphries (d); James Jacson (log drums, voc); Carl Nimrod [Carl S. Malone] (hand drums, voc); other Arkestrans may have been present.

prob. New York City, 1966


          We Travel the Spaceways (Ra) [ens voc]

This brief version of "We Travel" was spliced on at the end of "Outer Spaceways Incorporated" on all Saturn releases; it was not separately banded.  Careful listening indicates a similar band lineup to the preceding session, but a different concert -- unless Sun Ra exiled Ronnie Boykins to the opposite end of the stage in the middle of the proceedings.

See the previous session for information about the Saturn releases and their tangled history.  The track was reissued in April 1998 on Spaceways (Freedom CD 741407); this was originally part of a three-CD set titled Calling Planet Earth (Freedom 7612).

145. [128]  Sun Ra and his Arkestra

          Outer Spaceways Incorporated

Sun Ra (p.); unidentified (b); poss. Clifford Jarvis (d); poss. Lex Humphries or Robert Barry (d); James Jacson (log drums, voc); Carl Nimrod [Carl S. Malone] (hand drums, voc); June Tyson (voc); Marshall Allen (voc); Danny Davis (voc); John Gilmore (voc); prob. Pat Patrick (voc, bgo); other Arkestrans may have been present.

prob. New York City, 1968


          The Satellites Are Spinning (Ra)

This performance actually consists only of the end of "The Satellites Are Spinning": "We sing this song to / Abolish sorrow" etc.) followed by an unaccompanied piano improvisation.  June Tyson leads the chant; she joined the band around the beginning of 1968.  Careful listening indicates that this number is from a different concert than either of the other two that were used for Saturn 143000A/143000B.  It is not as well recorded as either of the 1966 concerts that were used on the album, and the bassist (contrary to what was said in the first edition) is not Ronnie Boykins.

In April 1998 the original Saturn LP was reissued as Spaceways (Freedom 741047) in a three-CD set called Calling Planet Earth (Freedom 7612).  This track was inanely retitled "We Sing the Song" on the reissue.
from The Earthly Recordings 2nd ed.  Campbell/Trent



Spaceways (Outer Spaceways Incorporated)
(Freedom 740147)

1. Prelude And Shadow-Light World   9:21
2. The Wind Speaks   9:13
3. We Sing This Song   5:49
4. Outer Space Incorporated   9:59
5. We Travel The Spaceways   2:27

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Tuesday, December 18, 2012

Ray Manzarek (The Doors) speaks of Ra (1967)



Here is a short excerpt from an interview with members of The Doors that appeared in 'Mojo Navigator' (no. 14, April, 1967, page 13).  The Doors were in NYC during November, 1966, last two weeks of January, 1967, and the last two weeks of March, 1967.  Who knows when they saw Sun Ra?

It looks like Ra was playing all around NYC in those days.  Here's what I learned while browsing through The Earthly Recordings: 
  • The Batman & Robin sessions were in January
  • There were the regular Monday night gigs at Slugs 
  • The College Tour that gave us 'Nothing Is…' was in early May, 1966  
  • Two concerts at The Beacon Theatre on Oct 11, 1966 
  • 'The Magic Sun' was probably filmed during 1966
  • Live tracks from 'Outer Spaceways Incorporated' and 'Pictures of Infinity' were also recorded around this time.
Many THANKS to I-) for sharing this with us!

Sunday, December 16, 2012

2nd Chance: Sun Ra - Outer Spaceways Incorporated (1968) - Calling Planet Earth Box CD 1



In 1971, Sun Ra sold a stash of tapes to Alan Bates of the German label, Black Lion, who shortly thereafter issued this album under the title, Pictures of Infinity. A 1994 CD reissue added a previously unreleased bonus track (“Intergalactic Motion”) and all cuts were again reissued in 1998 on the three-CD box set, Calling Planet Earth (Freedom 7612), but there the album is stupidly re-titled Outer Spaceways Incorporated. I say stupidly because a 1974 album originally titled Outer Spaceways Incorporated (Saturn 14300A+B) was also re-issued in the same box set and inexplicably re-titled Spaceways, thereby creating all kinds of unnecessary discographical confusion. Be that as it may, this album (whatever its title) is drawn from an excellent stereo recording of a live performance in New York City circa. 1968 and provides a rare, hi-fi glimpse of the newly evolving “cosmo drama.”



The Arkestra declaims, “Somewhere There!” and immediately blasts off into full-blown, New Thing-styled energy music, Gilmore taking the lead with an astonishingly fleet tenor solo. Unfortunately, a good half of the track’s fifteen minute duration is taken up with more pointless drum solos by Clifford Jarvis and his hyperactive bass-drum pedal. When the Arkestra finally interjects some aimless space chords and free-jazz squealing and honking, it all seems a bit anticlimactic. Maybe you just had to be there. “Outer Space Incorporated” [sic] opens with some rubato free improv until Ra introduces the bouncy chord progression, taken at a bright tempo. The Arkestra chants the words in increasingly dissonant harmony before brief, quiet solos from piano and bass. The free rubato section returns with braying horns, busy percussion, and cacophonous piano before quickly fading out to modest applause. “Intergalactic Motion,” whose correct title is actually “Ankhnaton,” is a jaunty big-band number that dates back to the 1960 album, Fate in a Pleasant Mood (Saturn 202/Evidence ECD 22068). The composition alternates a hugely catchy riff with a swinging bridge section. Bernard Pettaway and Ali Hassan dominate with dueling trombone solos before giving way to Ra’s nimble piano, where he explores the nooks and crannies of odd harmonic inversions. Boykins and Jarvis provide a solid foundation of joyous swing and Boykins eventually takes over with a typically virtuosic bass solo before the horns return for a ragged reprise to end.





130. [114]  Sun Ra

Pictures of Infinity /
Outer Spaceways Incorporated [sic]

Sun Ra (p.); Marshall Allen (fl); Clifford Jarvis (d); poss. John Gilmore (d); James Jacson (log drums); Nimrod Hunt (hand drums); poss. Pat Patrick (perc); pos. Danny Davis (perc).

New York City, prob. 1967

          Spontaneous Simplicity

Black Lion 30103, an LP titled Pictures of Infinity, was released in 1971.  It was rereleased in 1994 on CD as Black Lion BLCD 760191, foolishly retitled Outer Spaceways Incorporated.  This CD was reissued in April 1998 under the same misleading title (Freedom CD 741085, part of the three-CD set Calling Planet Earth on Freedom 7612).  This track sounds as though it comes from a different live concert than the rest of the LP -- and special credit is given to Saturn Records for this track on the Black Lion jacket.  James Jacson confirms that not all of this LP came from the same concert, or even the same year (Black Lion gives 1968 as the date for all tracks).  Personnel identified by rlc.

"Spontaneous Simplicity" also appears on Black Lion Jam Session, a two-LP set released in West Germany in 1973 (Intercord 28 431-5 Z/1-2).

Spontaneous Simplicity

147. [130]  Sun Ra

Pictures of Infinity /
Outer Spaceways Incorporated [sic]

Sun Ra (p.); Bernard Pettaway (tb); Ali Hassan (tb); Marshall Allen (as, fl, picc, perc, voc); Danny Davis (as, fl, acl, perc, voc); poss. Danny Ray Thompson (as, perc); John Gilmore (ts, perc, voc); Robert Cummings (bcl, perc); Pat Patrick (bars, fl, perc, voc); Ronnie Boykins (b, voc); Clifford Jarvis (d); unidentified (d); Nimrod Hunt [Carl S. Malone] (hand drums); James Jacson (log drums).

Live, New York City, prob. 1968

          Somewhere There (Ra) [ens voc]
          Outer Spaceways Incorporated (Ra) [ens voc]
          Intergalactic Motion [Ankhnaton] (Ra)
          Saturn (Ra)
          Song of the Sparer (Ra)

Black Lion 30103, Pictures of Infinity, was released in 1971.  All tracks also on Black Lion 28421, Freedom 127015, and Polydor 2460106.  All of the original tracks were also reissued in Japan on Black Lion 32JDB-216 [CD, 1992].  "Intergalactic Motion" is included as a bonus track on Black Lion BLCD760191, issued in 1994, with the incredibly confusing title Outer Spaceways Incorporated.  The CD with bonus track reappeared in April 1998 under the same incorrect title (Freedom 741085) in a three-CD set titled Calling Planet Earth (Freedom 7612).

Intergalactic Motion

All five tracks sound as though they came from the same live concert.  The personnel list provided by Black Lion is generic -- it includes two trumpet players even though none are present, and three trombonists (one of them Teddy Nance, who died in 1967).  The second trap drummer is not mentioned.  The presence of Pettaway means that these tracks were recorded before the move to Philadelphia in Fall 1968.  Personnel identified by rlc, using the Black Lion list as a guide.
from The Earthly Recordings 2nd ed. Campbell/Trent


Outer Spaceways Incorporated (Freedom 741085)
(Pictures of Infinity)

1. Somewhere There   15:03
2. Outer Spaceways Incorporated   7:09
3. Intergalactic Motion*   9:01
4. Saturn   6:15
5. Song Of The Sparer   4:11
6. Spontaneous Simplicity   7:57

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Wednesday, December 12, 2012

Sun Ra - Otherness (1974) (Reconstructed)


Otherness is a fascinating hybrid featuring tracks from Side A of the 1971 release, My Brother the Wind Volume II, alongside tracks from Side A of the 1966 recording, Outer Spaceways Incorporated.  As he is want to do, Ra toys with our conception of time by placing the more recent recordings on Side A and saves the older recordings for the B Side.  He even includes two versions of "Somebody Else's World" which gives this release a unique cohesion as we first enjoy the 1971 version featuring June Tyson's intonations of Ra's song-poem before delving into much older, extended instrumental version titled "The Wind Speaks."  Many thanks to Rev.B for bringing this hybrid to my attention and for sharing with us pics of his treasured LP. 

127. [112]  Sun Ra and his Arkestra

Outer Spaceways Incorporated
Primitone /
Spaceways


Sun Ra (p, Clavioline, gong); Teddy Nance (tb); Bernard Pettaway (tb); Marshall Allen (as, ob, fl, picc, perc); Danny Davis (as, fl, perc); John Gilmore (ts, perc); Pat Patrick (bas, fl, bgo); Robert Cummings (bcl, perc); Ronnie Boykins (b); Clifford Jarvis (d); poss. Lex Humphries (d); James Jacson (log drums, fl); Carl Nimrod [Carl S. Malone] (hand drums).
prob. New York City, 1966
Chromatic Shadows (Ra)
[incl. Sun Ra and his Band from Outer Space
and The Shadow World] [ens voc]
The Wind Speaks (Ra)
Outer Spaceways INcorported (Ra)
[ens voc]

These tracks were issued in 1974 on (Philadelphia) Saturn 143000A/B, Outer Spaceways Incorporated. All tracks from this album were sold to Black Lion in December 1971 but never released on that label (the 1998 CD on Freedom comes from the Black Lion holdings -- see below). The album has also appeared with a Chicago label and the serial number Saturn LP 530.
Sometimes titled A Tonal view of Times tomorrow volume 3.  The album was derived from three live concerts; all of these probably took place in New York City.  The date is based on stylistic considerations and the fact that Teddy Nance died in 1967.  Mark Webber gives 1967 as the date; Julian Vein says 1967-1968.  Note that "Sun Ra and His Band from Outer Space" opens the concert, instead of closing it, as it did on "Atlantis" and at later performances.  Also, there is no organ or Clavinet.  Personnel identified by rlc; Ali Hassan was given as one of the trombonists in the first edition.

This album was completely omitted from discographies before Webber's because Side A (matrix 143000A) of this album frequently replaced Side A of My Brother the Wind Volume II on hybrid pressings.  Undoctored copies of Outer Spaceways Incorporated with the original Side B (matrix 143000B) are considerably less common.  "The Wind Speaks" was retitled "Somebody Else's World" after Sun Ra added lyrics.

Also, some copies of The Invisible Shield are hybrids that include 144000B as Side A and 143000B as Side B.  According to Urs Berger, these hybrids have bluish Philadelphia Saturn labels and a 1973 date, and were sold in plain white porthole sleeves.

There is another distinct hybrid, issued on the Philadelphia Saturn label in the 1970s, that includes 143000A as Side A and 14200A (from Space Probe) as Side B.  It is called Primitone (thanks to Hartmut Geerken and Urs Berger for information).  It was re-pressed and distributed by Recommended Records in the early 1980s.

Still another hybrid involved 143000B (the side that is much less often encountered on Saturn LPs).  This is a hybrid Invisible Shield that carries 14400B as Side A and 143000B as Side B.  Urs Berger's copy has bluish labels from Philadelphia (with a 1973 date) on both sides and was sold in a plain white porthole sleeve.  Another pressing of this hybrid was sold at concerts in Britain in 1990 and 1991; copies had a blue-purple Chicago-style El Saturn label and a plain white sleeve.

All tracks from the original Saturn album were reissued in April 1998 as Spaceways (Freedom CD 740147).  This was originally part of a three-CD set titled Calling Planet Earth (Freedom 7612). On this release the first track was titled "Prelude and Shadow-Light World" (apparently following notations that accompanied the tape that was sold to Black Lion).



157. [139]  Sun Ra and his Solar Myth Arkestra

My Brother the Wind Volume II

Sun Ra (intergalactic [Farfisa] org); Kwami Hadi (tp); Akh Tal Ebah (tp, mell); Marshall Allen (as [solo], fl, picc); Danny Davis (as, acl, fl); John Gilmore (ts, perc); Danny Ray Thompson (bars, fl); Pat Patrick (bs [all solos], fl); James Jacson (ob, perc); Alejandro [Alex] Blake (b); Clifford Jarvis (d); Lex Humphries (d); Nimrod Hunt (hand drums); William Brister [Rashid Salim] (perc); Robert Cummings (perc); June Tyson (voc).
Variety Recording Studio,
NYC, early 1970
unidentified title
Somewhere Else (Ra)
Contrast (Ra)
Otherness Blue (Ra)
Somebody Else's World (Ra) [JT, ens voc]
Pleasant Twilight (Ra)
Walking on the Moon (Ra) [JT voc]

Saturn LP 523, My Brother the Wind Volume II, was released in 1971.  Some copies carry the serial number SRA 2000; some are titled Otherness.  All titles from the original release reissued in 1992 on Evidence 22040 [CD].  Evidence includes the final 2:30 of "Walking on the Moon," which was edited out of all Saturn issues by Richard Wilkinson because of poor sound engineering.  "The engineer didn't get along withSun Ra and messed up some of the tracks," resulting in his being fired, according to Wilkinson.  (The extra verses of "Walkin' on the Moon" were used in live performances during this period.)

"Otherness Blue," "Pleasant Twilight," and "Walking on the Moon" were also reissued on Saturn XI, the Saturn anthology LP titled Just Friends, in 1983.  "Otherness Blue" was also included in a 1997 Sun Ra CD sampler on Japanese Paddle Wheel KICJ 315, Sun Ra Came Down to the Earth.

Most Saturn copies of My Brother the Wind Volume II are hybrids which delete the original Side A (including "Somewhere Else" and "Contrast" from this session) and replace it with Side A of Outer Spaceways Incorporated.  Some of these hybrids carry the serial number 5221 instead of 523.  Still others are identified as Saturn LP 522 (!) on the jacket (thanks to Peter Roberts for a description of this variant, which was on sale briefly in the late 1970s).  Discographies frequently list an Impulse reissue, AS-9289, but this was never released.

Personnel from the Saturn jacket.  "Walking on the Moon" refers to the feats of Neil Armstrong and so must date from July 1969 or later.  Current date and location from Richard Wilkinson, who is firm about 1970 (the first edition of this discography gave late 1969 as the date).  Information about the rejected track from Jerry Gordon.  Gordon says that the LP was for sale in summer 1970. 

from Campbell/Trent The Earthly Recordings 2nd ed.






Sun Ra
Otherness (1971)
(Reconstructed)

1. A1 Otherness Blue    4:49
2. A2 Somebody Else's World    4:03
3. A3 Pleasant Twilight    3:37
4. A4 Walking On The Moon    6:13

5. B1 Chromatic Shadows    9:18
6. B2 The Wind Speaks    9:10

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Saturday, December 8, 2012

Sun Ra - Stardust from Tomorrow


A companion piece to Second Star to the Right (Salute to Walt Disney), the two disks clock in at nearly 1:39 and is the remainder of the performance from April 29, 1989, at the Jazzatelier in Ulrichsberg, Austria.

The intriguing selections in the dozen numbers are Prelude in A Major, Op. 28, No. 7, Queer Notions and Yeah Man!, with the final flurry, which combines a number of Sun Ra-penned music - We Travel the Spaceways, Outer Spaceways, Inc., Rocket No. 9 Take Off for the Planet Venus, Second Stop Is Jupiter, Saturn Rings - is nearly nine minutes of fantastic free jazz.
Amazon Review


Stardust From Tomorrow is a fairly typical late '80s live date for the Arkestra, as it gives a decent overview of what the band could do: a little Fletcher Henderson, a little Duke Ellington, some Ra originals, some space chants, and some conducted improvisation flowing seamlessly from one tune to the next. Both Michael Ray and Marshall Allen are in fine form on this date, with Allen shining especially bright on "Prelude to a Kiss." (He always tears it up on the Ellington numbers.) Unfortunately, due to ill health, John Gilmore is absent from this recording, gearing it more toward the completist/collector than the casual listener. Sound quality is good, but there are some problems associated with a live date: some minor swells of feedback on stage during "Blue Lou" and some slightly off-mike moments. The performance, though, is a fine one. Sun Ra releases on Leo Records have always been more about documentation than audiophile sound anyway.
AMG Review by Sean Westergaard






614. [407]  Sun Ra and his Intergalaxtic Arkestra


Other Thoughts /
Second Star to the Right (Salute to Walt Disney) /
Stardust from Tomorrow


Sun Ra (p, syn, voc); Michael Ray (tp, voc); Tyrone Hill (tb, voc); Julian Priester (tb); Noël Scott (as, fl, acrobatics, voc); Marshall Allen (as, fl, cl, perc); John Gilmore (ts, cl, timb, voc); Eloe Omoe (as, bcl, fl, perc); James Jacson (bsn, fl, Inf-d, voc); Bruce Edwards (eg); Arthur Joonie Booth (eb); Earl "Buster" Smith (d); Elson Nascimento (surdo grande, perc); June Tyson (voc, vln).
Jazzatelier, Ulrichsberg,
Austria, April 29, 1989
1st set:
Mystery Intro (Ra)
Untitled I (Ra)
Blue Lou (Sampson)
Prelude in A Major (Chopin)
Untitled II (Ra)
The Forest of No Return (Bruns-Leven) [ens voc]
Someday My Prince Will Come (Churchill-Morey) [JT, MR voc]
Frisco Fog (Carr-Roberts)
Wishing Well [I'm Wishing] (Morey-Churchill) [Sr, JT, ens voc]
Zip-A-Dee-Doo-Dah (Gilbert-Wrubel) [JJ, TH, MR, NS, SR voc]
Second Star to the Right (Cahn-Fain) [SR, MR voc]
Heigh Ho! Heigh Ho! (Morey-Churchill) [TH, MR, NS voc]

2nd set:
Discipline 27-II (Ra) /
I'll Wait for You (Ra) /
Angel Race (Ra) [SR, ens voc]
Queer Notions (Hawkins)
Back Alley Blues (Ra)
Prelude to a Kiss (Ellington)
Stardust from Tomorrow (Ra) [JT voc]
Yeah Man! (Sissle-Henderson)
We Travel the Spaceways (Ra)
Space Chants Medley:
Outer Spaceways Inc. (Ra) /
Rocket No. 9 Take Off for the Planet Venus (Ra) /
Second Stop is Jupiter (Ra) /
Pluto [Too] (Ra) /
[Planet] Saturn (Ra) /
Saturn Rings (Ra) [SR, ens voc]

encore:
Whistle While You Work (Morey-Churchill) [TH, MR, JJ, SR voc]

ZUW Disc 0001, Other Thoughts, is a bootleg CD of Austrian origin, released in 1993.  It is based on an audience tape made by one Herbert Zaussinger, edited to include only the Walt Disney tunes from this concert.

The same audience tape (with extensively cleaned-up sound) was used for a release in October 1995 on Leo CD LR 230, Second Star to the Right (Salute to Walt Disney). This is a legitimate release in that royalties are being paid to Sun Ra's estate, but the Arkestra was not consulted nor paid for the release.  The rest of the music from the complete concert was released by Leo in March 1997 as LR 235/236 [CD], Stardust from Tomorrow.  Because of poor relations between Leo Records and the Arkestra, the two "Untitleds" were not identified.  Untitled I was an improvisation; Untitled II appears to have been a Ra composition.

Judging from the announcements that follows it, "Heigh Ho! Heigh Ho!" was the end of the first set, and "Whistle While You Work" was an encore after the first set.  The two CDs of Stardust from Tomorrow seem to correspond to the two sets of the show, but the order of the Disney and non-Disney tunes in the first set is unknown.

The date was mistakenly given as April 24 in the first edition of this discography.  Personnel from the ZUW CD leaflet, with corrections by ct and Hartmut Geerken; the corrected personnel list is included on the Leo releases.  the name of the Arkestra (with Sunny's late-1960s spelling "Intergalaxtic") was supplied by Hartmut Geerken.

from Campbell / Trent  The Earthly Recordings 2nd ed.



Sun Ra and his Intergalaxtic Arkestra
Stardust From Tomorrow
Leo Records LR 235/236 [CD] 1995


Disc 1
1. Mystery Intro   18:09
2. Untitled I   7:31
3. Blue Lou   5:53
4. Prelude in A-Major Op. 28 N. 7   9:39
5. Untitled II   6:21

Disc 2
1. Discipline 27 / I'II Wait For You / Angel Race   18:17
2. Queer Notions   2:50
3. Back Alley Blues   9:56
4. Prelude to a Kiss   4:55
5. Stardust From Tomorrow   3:12
6. Yeah Man!   3:23
7. We Travel The Spaceways / Space Chants Medley   8:43

Space Chants Medley: Outer Spaceways Incorporated / Rocket N.9 Take off for the Planet Venus / Second Stop is Jupiter / Pluto / Saturn / Saturn Rings


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RS1 + RS2
HF1 + HF2

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