Showing posts with label Ann Arbor Blues and Jazz Festival. Show all posts
Showing posts with label Ann Arbor Blues and Jazz Festival. Show all posts

Sunday, May 5, 2013

Sun Ra - Life IS Splendid (from Ann Arbor 72 LP)



Life is Splendid
Thanks to Tom in SFCA for suggesting.


"My understanding is that Atlantic Records put out a compilation record of the 1972 Ann Arbor...Festival which contains an excerpt of the Sun Ra Arkestra's performance that was mastered from the original multi-track tapes (not the reference tapes used for the Life is Splendid release). I have been looking for this record but have not yet found it. It would be great if some Saturnian got this record, digitized the Arkestra's cut, and unleashed it on the interwebz. Here's hoping."

Friday, February 10, 2012

Sun Ra - Wake Up Angels


 The newest 2CD set from Art Yard captures the Arkestra in one of their highest periods of critical acclaim and personal growth. The group had completed work for the epic film Space is the Place the same year of the first performance in the set, 1972. Ra would soon release studio materials with Impulse and many other pivotal labels. Tours all over the world became increasingly easier for the group, especially with Arkestra alumni Danny Ray Thompson taking over a lot of the management duties in the 70′s and on. Africa to Europe to Japan, the Arkestra propelled themselves further and further into the realm of world acknowledgement and the damage from press work of United States journalists in the 60′s could no longer trap the buzz and legacy Ra had created up to that point. Art Yard has slightly truncated the 1972 recording to fit on the 2CD layout with the editing out of two pieces from the set. Present is the Sun Ra Arkestra recorded in 1972, 1973 and 1974 at the Ann Arbor Blues and Jazz festivals. Remastered from 2 track tapes recorded from the board mixes for reference purposes, these provide the clearest window of these Sun Ra shows to date. Previous versions had been released under the supervision of John Sinclair but this new releases serves as the definitive version to date. 16 track masters were documented of all three festivals in their entirety but like many of the professional quality recordings from that era, have been shelved away, lost or purposely hidden due to lack of payment and other reasons far outside of anyone’s reach. Art Yard has teamed with John Sinclair in the hopes to authentically create a home for these important recordings in the Sun Ra canon along with forging a relationship to present many more of John Sinclar’s massive archive of other artists during the time he was promoting and offer professional recording services. Wake Up Angels presents three mind blowing concerts in some of the best audio quality of the Arkestra during the first half of the 70′s. It doesn’t get much better for this period of the band.

Art Yard recently released this repackaging of  three out of print Sun Ra releases originally on John Sinclair's Blast First label.  You can read Sinclair's take on the new release at his blog, Fattening Blogs for Snakes.  Below is a small collection of recent introductions from some web retailers.

 Really wonderful work from Sun Ra – a host of recordings cut at the Ann Arbor Blues & Jazz Fest in the early 70s – always a very welcoming audience for the Arkestra at the time! We're not sure what was in the water, but it always seems like the group really hit their stride at the festival – opening up with a force and intensity that really goes past some of their other recordings! It's almost as if the enthusiastic mix of ages and cultures present really ignited the best energies in the Arkestra – having them hit the kind of righteous crescendo of their best Space Is The Place identity – and even some of the more avant, outside moments have a focus that the group hardly seems to reach this well! The material is from the John Sinclair archives – originally issued on the CDs Life Is Splendid, Outer Space Employment Agency, and It Is Forbidden – but somehow sounding even more amazing in a tight package like this – with loads of amazing keyboards from Ra, soulful vocals from June Tyson, Cheryl Banks, and Judith Holton, and wonderful supporting reeds from the Arkestra. Titles include "Space Is The Place", "Enlightenment", "What Planet Is This", "Immeasurable", "Love In Outer Space", "Watusi", "Images", and some great untitled improvisations.
Dusty Groove entry



A massive collection of live performances from three years at the Ann Arbor Blues & Jazz festival, this finds astral traveler Sun Ra and his Arkestra on fine form, showcasing their peculiar take on free jazz through a haze of tape saturation and crowd chatter. As with many great jazz acts, live performance is where Sun Ra came into his own, and this collection is no different with known pieces transformed into extended improvised jams. Chances are if you're a Sun Ra fan this will already be on your list to purchase, but interested Sun Ra newbies might fare well here - there's certainly enough material to really make your mind up.
Boomkat entry




Wake Up Angels is a compilation of the the three albums below.
Check the comments in each for new links:

Life is Splendid (1972)

Tuesday, September 6, 2011

Sun Ra - Outer Space Employment Agency (1973) [released 1999]



Outer Space Employment Agency is the third and final installment of Alive/Total Energy's releases culled from Sun Ra's performances at The Ann Arbor Blues & Jazz Festivals.

Recorded on September 9, 1973 at the Ann Arbor Blues and Jazz Festival, this is a fair-fidelity live document; the sound is listenable, but not exceptional. Of the three tracks, "Discipline 99" and "Love in Outer Space" are by far the more cacophonous, with Sun Ra's spooky farfisa organ and mini-moog being by far the most interesting elements in the inscrutable brew. The 20-minute medley "At First There Was Nothing/The Universe Has More to Offer You/Wake Up Angels/Outer Space Employment Agency" -- yes, that's the full title -- is more ingratiating. Anchored on a lilting swing groove, much of it is devoted to the inimitable, and uplifting if not purely sensical, cosmic rap-philosophizing of the Arkestra, joined by vocalist June Tyson. If this were the only aural evidence of the Arkestra in this era, you could still get a sense of their more enduring qualities. But there are better-sounding albums of this phase of their development; this should be investigated by those hungry to hear Sun Ra in quantity. AMG Review by Richie Unterberger





During his lengthy recording career, Sun Ra employed many styles, from swing to doo-wop to free jazz to Disney show tunes. No single album can express the breadth of his intergalactic musical vision, but this recording culled from his 16-piece Intergalactic Arkestra's performance at the 1973 Ann Arbor Blues and Jazz Festival vividly conveys the exuberance of his band in full cry. The first track, "Discipline 99," blasts off with a blizzard of metal-flaking electronics and wooly, honking reeds; it sounds chaotic, but the perfectly timed leaps between passages for the whole group, emphatic solo statements, and an exhilarating unison between saxophone and synthesizer betray the iron command that Ra exercised over his ensemble. The Arkestra go on to shine brightly on Ellingtonian waltzes, extended multipercussion workouts, and a lengthy vocal segment in which Ra and his crew bestow jewels of space wisdom upon the enthusiastic crowd with gospel fervor. 
Amazon Review by Bill Meyer

On September 10, 1973, the Arkestra returned to play John Sinclair’s fifth annual Ann Arbor Blues & Jazz Festival, a huge outdoor concert held at Otis Spann Memorial Field. This was a rare opportunity for Sun Ra to play in front of a large audience, appearing on the final night of the festival on a bill with Luther Allison, Hound Dog Taylor, and Otish Rush. The entire concert was broadcast over the radio, including most of Sun Ra’s seventy-three minute set (see Campbell & Trent p. 201) and a tape of this broadcast apparently circulates amongst collectors, but I haven’t heard it. Finally, in 1999, Sinclair released a fifty-two minute fragment (omitting “Discipline 27” and “Astro Black”) on his Alive!/Total Energy label on a compact disc entitled, Outer Space Employment Agency. To be honest, it's a mixed bag.
(continue reading at NuVoid's Sun Ra Sundays)


209. [183]  Sun Ra and the Intergalactic Discipline Arkestra

Outer Space Employment Agency

Sun Ra (Farfisa org, Mini-Moog syn, declamation); Kwame Hadi (tp); Akh Tal Ebah (tp, mell, sp-mell, declamation); Marshall Allen (as, fl, perc); Danny Davis (as, fl, perc); John Gilmore (ts, timb); Eloe Omoe (bcl, fl, perc); Danny Ray Thompson (bars, fl, perc); Alzo Wright (clo, perc); Ronnie Boykins (b); Tommy Hunter (d); Lex Humphries (d); Vic Morrison (d); Atakatune (cga); Odun (cga); June Tyson (voc); dancers also present.
Otis Spann Memorial Field,
Ann Arbor, MI, September 10, 1973

The Arkestra's second appearance at the Ann Arbor Blues and Jazz Festival was broadcast over NPR stations, including KQED-FM in the Bay Area.  John Lockard supplied the correct date:  Sunday night, September 10.  He says that the Arkestra was the second-to-last act of the entire festival, followed by Luther Allison.

Most of the Arkestra performance was broadcast, for a total of 73 minutes of music.  Some tapes also include an interview with Ra (at his home in Philadelphia) by Peter Wolf.  Tunes from Michael Shore and ct; personnel from Shore and Michael Wilderman (who says Boykins, Humphries, and Morrison were mentioned on the broadcast).  "Discipline 27: has a countermelody not included in other known performances of the piece.

In 1999, John Sinclair issued a CD of this concert on Alive/Total Energy NER3021, under the title Outer Space Employment Agency.  (There is also an LP issue.)  The band is identified on these releases as Sun Ra and his Intergalactic Arkestra.  The CD includes an untitled improvisation that was not broadcast, and leaves off "Astro Black" and the synthesizer solo.

Unfortunately, the CD also continues the tradition of incorrect titling that has afflicted so many commercial releases of Arkestra concerts.  The Alive!/Total Energy CD refers to the untitled improv as "Discipline 99," to "Discipline 99" as "Love in Outer Space," and to "Love in Outer Space/Watusi" as "Watusi/Discipline 27-II"; from there to the end of the concert, the CD correctly includes all of the titles except "Discipline 27-II" itself.  Thanks to Armin Büttner for information about the CD, including the out-of-synch titling. 
from The Earthly Recordings 2nd ed.  Campbell/Trent




Outer Space Employment Agency

1. Untitled Improv   13:49
2. Discipline 99   4:58
3. Love in Outer Space / Watusa   13:10
4. Discipline 27-II / At First There Was Nothing /
   The Universe Has More To Offer You / Wake Up Angels /
   Outer Space Employment Agency   20:15






Other Ann Arbor Blues & Jazz Festival Recordings


Friday, June 17, 2011

Updated Links - Sun Ra - It Is Forbidden (1974) released 2001 - Now Divided into Separate Tracks


Adventure-Equation's supreme Saturn benefactor, Paul W, prefers his music divided into song-length tracks.  Lucky for us he has graciously shared his hard work with us.  I must admit that I sometimes grow weary of 60-minute tracks so the track divisions he has created are a useful service in my opinion.  If you feel the same, please feel free to sample the first set of links below.  Scans, as always, are included for your literary and visual gratification.  

In 1974, the Ann Arbor Blues & Jazz Festival lost permission to hold the festival in Ann Arbor but was granted access to to the outdoor amphitheater at St. Clair College in Windsor, Ontario Canada.  Because of the shift in location, the festival was dubbed The Ann Arbor Blues & Jazz Festival In Exile.
 

The ranks of the Arkestra included Ra's greatest reed section ever, with Marshall Allen, John Gilmore, Elo Omoe, Danny Davis, James Jacson and Danny "Pekoe" Thompson, plus Kwame Hadi and Akh Tal Ebah on trumpets, Dale Williams on electric guitar, Detroit's own Reginald "Shoo-Be-Doo" Fields on bass, Clifford Jarvis at the drums and Stanley "Atakatune" Morgan on congas.  June Tyson and the Space Ethnic Voices, Judith Holton and Cheryl Banks, strutted and crooned out in front of the band, framing the mind-boggling keyboard improvisations and fierce chanted philosophy of their undisputed leader, the great Sun Ra. 
The multi-track master tapes of the Arkestra's performance were quite reasonably withheld by recordist Chuck Buchanan when it became clear that he could not be paid for his work, and they've never been seen again.  What remains is the cassette tape recorded from the board mix during the performance, now transferred into the digital realm and available right here on CD at last.
--John Sinclair
Amsterdam, December 6, 2000 / New Orleans, February 9, 2001

Sun Ra (p, org, syn, voc); Kwame Hadi (tp); Akh Tal Ebah (tp, mell, voc); unidentified (tp); Marshall allen (as, fl, perc); Danny Davis (as, fl, perc); John Gilmore (ts, perc); Danny Ray Thompson (bars, fl, libf, perc); James Jacson (bsn, Inf-d, voc); Elo Omoe (bcl); Dale Williams (eg); Reginald "Shoo-Be-Doo" Fields (b); Clifford Jarvis (d); Atakatune [Stanley Morgan] (cga); June Tyson (voc); Space Ethnic Voices: Judith Holton, Cheryl Banks (voc). 
September 6, 1974
St Clair College Amphitheatre, Windsor, Ontario, Canada
-from the CD liner notes-

Sun Ra & His Intergalactic Arkestra 
at the Ann Arbor Blues & Jazz Festival in Exile 1974
It Is Forbidden 
1. Untitled Improvisations   13:15
2. Discipline 27   9:18
3. Love in Outer Space   4:41
4. The Shadow World   6:04
5. Space is the Place   7:18
6. Second Stop is Jupiter   1:40
7. What Planet is This   2:34
8. Images   8:20
9. It is Forbidden   2:33
10. Watusi   5:48
11. Sun Ra and his Band from Outer Space

+ applause   2:46



Sun Ra Sunday Review

 


Other Ann Arbor Blues & Jazz Festival Recordings

Sunday, April 10, 2011

Sun Ra - It Is Forbidden (1974) released 2001


In 1974, the Ann Arbor Blues & Jazz Festival lost permission to hold the festival in Ann Arbor but was granted access to to the outdoor amphitheater at St. Clair College in Windsor, Ontario Canada.  Because of the shift in location, the festival was dubbed The Ann Arbor Blues & Jazz Festival In Exile.
 
The ranks of the Arkestra included Ra's greatest reed section ever, with Marshall Allen, John Gilmore, Elo Omoe, Danny Davis, James Jacson and Danny "Pekoe" Thompson, plus Kwame Hadi and Akh Tal Ebah on trumpets, Dale Williams on electric guitar, Detroit's own Reginald "Shoo-Be-Doo" Fields on bass, Clifford Jarvis at the drums and Stanley "Atakatune" Morgan on congas.  June Tyson and the Space Ethnic Voices, Judith Holton and Cheryl Banks, strutted and crooned out in front of the band, framing the mind-boggling keyboard improvisations and fierce chanted philosophy of their undisputed leader, the great Sun Ra. 
The multi-track master tapes of the Arkestra's performance were quite reasonably withheld by recordist Chuck Buchanan when it became clear that he could not be paid for his work, and they've never been seen again.  What remains is the cassette tape recorded from the board mix during the performance, now transferred into the digital realm and available right here on CD at last.
--John Sinclair
Amsterdam, December 6, 2000 / New Orleans, February 9, 2001

Sun Ra (p, org, syn, voc); Kwame Hadi (tp); Akh Tal Ebah (tp, mell, voc); unidentified (tp); Marshall allen (as, fl, perc); Danny Davis (as, fl, perc); John Gilmore (ts, perc); Danny Ray Thompson (bars, fl, libf, perc); James Jacson (bsn, Inf-d, voc); Elo Omoe (bcl); Dale Williams (eg); Reginald "Shoo-Be-Doo" Fields (b); Clifford Jarvis (d); Atakatune [Stanley Morgan] (cga); June Tyson (voc); Space Ethnic Voices: Judith Holton, Cheryl Banks (voc). 
September 6, 1974
St Clair College Amphitheatre, Windsor, Ontario, Canada
-from the CD liner notes-

Sun Ra & His Intergalactic Arkestra 
at the Ann Arbor Blues & Jazz Festival in Exile 1974
It Is Forbidden 
1. It Is Forbidden   1:04:17 
FLAC 
or
320 

 


Updated June 17, 2011
New Links!  The old are still valid but Paul W. has provided us with a rip divided by tracks!

See Below:

Sun Ra & His Intergalactic Arkestra 
at the Ann Arbor Blues & Jazz Festival in Exile 1974
It Is Forbidden 
1. Untitled Improvisations   13:15
2. Discipline 27   9:18
3. Love in Outer Space   4:41
4. The Shadow World   6:04
5. Space is the Place   7:18
6. Second Stop is Jupiter   1:40
7. What Planet is This   2:34
8. Images   8:20
9. It is Forbidden   2:33
10. Watusi   5:48
11. Sun Ra and his Band from Outer Space

+ applause   2:46

FLAC 

or


320


Sun Ra Sunday Review

Friday, March 11, 2011

Sun Ra - Life Is Splendid (1972) [released 1999]


You may have noticed this elsewhere but I doubt you've ever heard it like this.  Life Is Splendid was released as a single 37 minute track.  Paul W was kind enough to divide this 'suite' into songs for us.  Though it is best heard in its entirety, the Life Is Splendid suite can now be subdivided to your parts content.



On September 9, 1972, Sun Ra and His Solar Myth Arkestra performed for more than 12,000 people at the First Ann Arbor Blues & Jazz Festival, conceived and produced by the Sixties counter-cultural icon, John Sinclair. The suitably eclectic bill included, among others, the Art Ensemble of Chicago, Junior Walker & The All Stars and the legendary Howlin’ Wolf. The proceedings were recorded by Atlantic Records and a 2-LP sampler of the festival (including an edited version of Sun Ra’s “Life Is Splendid”) was released in 1973 as Atlantic SD2-502 (and later reissued as ATL 60058) (See Campbell & Trent, p.189). I have not heard this record but it should be noted here that the Art Ensemble’s set was also released by Atlantic and entitled, Bap-Tizum—it is excellent.

Sadly, the original 16-track masters were lost in a fire, leaving only this two-track reference tape of Sun Ra’s performance which was finally released on CD by Sinclair’s Alive!/Total Energy label in 1999. The sound quality is not great, but it’s not terrible either—certainly way more listenable than many of the audience recordings we’ve been listening to lately! Unfortunately, the tape is incomplete: According to Sinclair’s liner notes, the first several minutes of the set are missing because “a proper mix could not be achieved.” Given the 20+ member size of the Arkestra, I’m sure it was a challenge! It’s a pity since we’re apparently missing the usual opening improvisation and the (possibly) more exploratory material performed that evening. The Arkestra’s sets had by this point become somewhat routine-ized with the latter half of the set devoted to cosmical space-chants, singalongs, and dance/percussion workouts.
(continue reading at NuVoid's Sun Ra Sunday)

195. [175] Sun Ra and his Solar-Myth Arkestra

Sun Ra (org, Mini-Moog, syn, voc); Akh Tal Ebah (tp, flg); Lamont McClamb [Kwami Hadi] (tp); Marshall Allen (as, fl, perc); Larry Northington (as, cga, perc); Danny Davis (as, fl, perc); John Gilmore (ts, perc); Pat Patrick (bars, perc); Danny Thompson (bars, fl, perc); Leroy Taylor [Eloe Omoe] (bcl, perc); Lex Humphries (d); Alzo Wright (d); Stanley Morgan [Atakatune] (cga, perc); Russell Branch [Odun] (cga, perc); Robert Underwood [Aye Aton] (d, perc); Harry Richards (perc); June Tyson (voc, dance); Space Ethnic Voices: Judith Holton, Cheryl Banks, Ruth Wright (voc, dance).
Ann Arbor, MI, September 9, 1972
From The Earthly Recordings of Sun Ra 2nd ed.



Life Is Splendid
1. Enlightenment    2:11
2. Love in outer space    5:00
3. Space is the place    8:12
4. Untitled improvisations    5:45
5. Discipline27-II (+ What planet is this + Life is splendid + Immeasurable) 7:40
6. Watusi    7:04
7. Outer Spaceways Incorporated    1:48




Each file includes complete scans


Other Ann Arbor Blues & Jazz Festival Recordings