Wednesday, March 21, 2012

Sun Ra - Deep Purple / Dreams Come True (1973)


For those who enjoyed the bonus tracks on the recently posted Sun Sound Pleasure!! CD but were longing to hear  Ra's more adventurous offerings, here is the original release of Deep Purple (also released as Dreams Come True).  On this 1973 release, Ra disrupts the space/time continuum by juxtaposing music recorded between 1948 and 1958 on Side A with recently recorded material from 1973 for Side B of the album.  The small group material that makes up Side B was intended for release by Impulse! on Cymbals, an album that evaded release until Evidence's 2000 2-CD The Great Lost Sun Ra Albums: Cymbals & Crystal Spears.


5. [5]  Sonny Blount and Stuff Smith

Herman "Sonny" Blount (p. Solovox); Stuff Smith (vln).
Sonny Blount's apartment, Chicago,
between November 1948 and mid-1949

Deep Purple (DeRose-Parish)

Saturn 485 (released in 1973) was an LP titled Deep Purple (on some copies, Dreams Come True).  The artists on this collection were billed as "Sun Ra and his Arkestra featuring Stuff Smith on Violin."  All of Side A of this LP was reissued on Evidence 22014, Sound Sun Pleasure!!, a CD from 1992.

The Solovox was an early electronic keyboard instrument (already in Sonny's possession as early as 1941; it can be seen attached to his piano in a photograph that was reprinted in John F. Szwed's book Space Is the Place).  When asked for a session date, members of the Arkestra told Bob Rusch "pre-1953," which meant before John Gilmore joined the band (an event that actually took place in 1954); previous discographies have generally said 1953.  However, Anthony Barnett, author of Desert Sands: The Recordings and Performances of Stuff Smith, says that Smith probably left Chicago by the end of 1952, and had relocated to New York by February 1953 at the latest.  Tommy Hunter recalls recording this get-together (supposedly, just one tune because Sonny was running out of tape) in 1948 or 1949.  Sonny Blount had traveled to Cleveland earlier in 1948 to purchase an early model recorder that used paper tapes.

From May 19, 1947 (after the departure of Fletcher Henderson), till the Club De Lisa closed in the spring of 1958, the house band was led by Theodore "Red" Saunders (who had previously held down the job with a smaller unit from late 1937 until June 1945).  Saunders (1912-1981) was a spectacular Swing drummer, much enamored of the Count Basie sound of the late 1930s (Basie was, in fact, a personal friend).  The Saunders outfit was a versatile aggregation which was expected to back guest acts and provide functional music for floor shows.  For a detailed discography of Red Saunders, see http://hubcap.clemson.edu/~campber/saunders.html.

Sonny Blount led the off-night band at the De Lisa for a number of years, functioned as a rehearsal pianist for acts that appeared there, and reportedly wrote arrangements for the Saunders band.  Tommy Hunter confirms that Sonny rewrote Saunders' arrangements on a regular basis.  Some believe that Sunny sat in with Saunders on piano, though Hunter denies this.

Sun Ra never spoke of the arrangements he wrote for Saunders in interviews, so his involvement has had to be identified by ear alone.  Nonetheless, it seems clear that he contributed a good deal to the recordings made by Saunders between 1949 and 1954.  In the earlier years, his job was most often to retouch arrangements by others, some of whom, like Johnny Pate, were no slouches at arranging to begin with.  Toward the end of his involvement with the Saunders band, Sunny contributed original arrangements in his own evolving style (as is apparent on several of Red's sessions from 1953).



24. [13]  Sun Ra

Sun Ra (p.); Wilbur Ware (b -1).
Sun Ra's apartment, Chicago,
around 1955
Piano Interlude (Ra)
Can This Be Love? (Smith-James) -1

According to Julian Vein, these two tracks were sold to Black Lion/Freedom in 1971, along with what is now The Invisible Shield, side B, but were not issued at the time. 

38. [24]  Sun Ra and the Arkestra

Sound of Joy/
Sun Ra Visits Planet Earth/
Deep Purple


Sun Ra (p, Wurlitzer ep, announcement); Art Hoyle (tp, perc); Pat Patrick (as, bars, perc); John Gilmore (ts, perc); Charles Davis (bars,  perc); Victor Sproles (b); William Cochran (d); Jim Herndon (tymp); Clyde Williams (voc).
Unidentified studio, Chicago,
November 1, 1956
Dreams Come True (Ra-Mayo)

Also reissued on in 1983 on the Saturn anthology LP, Just Friends (Saturn XI).  Hoyle is listed as "Arthur Horn" on the jacket of Saturn 485; Robert Barry is incorrectly given there as the drummer.

All tunes from the session were finally united on one disk in 1994 as Delmark DD-414 (a CD again titled Sound of Joy).  On the Delmark CD, the 6-second piano introduction to "Dreams Come True" is included for the first time (it was edited out of the other issues).




41. [27]  Sun Ra and his Arkestra
Deep Purple

Sun Ra (p.); Victor Sproles (b); Tito (cga); Hattie Randolph (voc).
Budland, Chicago, early 1957

Don't Blame Me (McHugh-Fields)
'S Wonderful (Gershwin-Gershwin)
Lover Come Back to Me (Romberg-Hammerstein)

Hattie Randolph says these tracks were made live at Budland (Cadillac Bob's club in the basement of the Pershing Hotel -- formerly Birdland, before that the Beige Room) after Art Hoyle left the band.  The bassist is not Ronnie Boykins; Victor Sproles was credited on the Saturn LP jacket.  Tito is the only known conga player to have worked with Ra during this period.  Initially released in 1973 on Side A of Saturn LP 485, Deep Purple (some copies titled Dreams Come True).  All tracks from Side A reissued on Evidence 22014 [CD, 1992].

According to Leroy Cooper (who played baritone sax briefly with Sun Ra in 1957), Ra at the time was arranging for singer Lorenz Alexandria (see As Serious as Your Life by Val Wilmer).  Through Ronald Wilson, who was also a member of the Arkestra for a time, played on her first LP for King Records, we have no evidence of Ra arrangements on Alexandria's recordings from this period (she recorded for the King label in Chicago twice in 1957 and again in 1959, but it appears that pianist King Fleming was responsible for all arrangements).

Hattie Randolph recalled a version of "Saturn" featuring her brother Lucious on trumpet.  Although such a thing could have been recorded rather easily, none of the three known versions of "Saturn" from the Chicago period includes Lucious Randolph.  And there has been no confirmation of such a release on the Saturn label.




199. [178]  Sun Ra and his Arkestra

Cymbals/
Deep Purple


Sun Ra (org, Mini-Moog syn, Rocksichord); Akh Tal Ebah (tp -2, 4); Danny Davis (as -5); John Gilmore (ts -2); Eloe Omoe (bcl -1); Ronnie Boykins (b); Harry Richards (d); Derek Morris (cga -2, 2, 4).
Variety Recording Studio, NYC, 1973

The World of the Invisible (Ra) -1
Thoughts Under a Dark Blue Light (Ra) -2
The Order of the Pharoanic Jesters (Ra) -3
The Mystery of Two (Ra) -4
Land of the Day Star (Ra) -5

Three tracks were issued on Side B of Saturn LP 485, Deep Purple, in 1973 (The LP has been known for years, but its connection to Cymbals was not previously suspected).
from Campbell/Trent  The Earthly Recordings 2nd ed.


Dreams Come True (LP)
Saturn 485A & 485B

1.  Deep Purple   4:12
2.  Piano Interlude   1:54
3.  Can This Be Love   5:59
4.  Dreams Come True   3:08
5.  Don't Blame Me   2:53
6.  'S Wonderful   2:18
7.  Lover Come Back To Me   2:49

8.  The World Of The Invisible   6:50
9.  The Order Of The Pharaonic Jesters   7:13
10. Land Of The Day Star   3:52

FLAC

or

320



Deep Purple (Cobbled but Complete CD)
  Evidence ECD 22014-2  Sound Sun Pleasure!! (1-7)
  Evidence ECD 22217-2  Cymbals & Crystal Spears - The Great Lost Sun Ra Albums (8-10)

1.  Deep Purple   4:03
2.  Piano Interlude   1:56
3.  Can This Be Love   6:01
4.  Dreams Come True   3:08
5.  Don't Blame Me   2:53
6.  'S Wonderful   2:18
7.  Lover Come Back To Me   2:49
8.  The World Of The Invisible   6:54
9.  The Order Of The Pharaonic Jesters   7:27
10. Land Of The Day Star   3:58

FLAC

or

320


6 comments:

  1. Thanks very much!

    ReplyDelete
  2. Thanks a billion for this post. To my (admittedly worn out) ears, this vinyl rip sounds so much better than the Evidence CD of the A side. The Evidence version had so much noise reduction applied that it almost choked the music, making it sound like it was playing in the flat above you. Here it is full of life and joy. 'S Wonderful :-)

    ReplyDelete
  3. wonderful selection! and thanks for the cobbling!

    I-)

    ReplyDelete