Saturday, June 25, 2011

Sun Ra - Live at the Red Garter (1970)


"[Includes] a spectacular, thirteen-minute rendition of [a] My Brother the Wind Vol. II composition, “Pleasant Twilight,” According to Campbell and Trent, there are no other known live performances of this piece."

According to photographer Lee Santa, Sun Ra’s Arkestra played a three-night engagement at The Red Garter (now known as The Bottom Line) in Greenwich Village in early July, 1970...  Santa recalled that “the first night featured six hours of continuous music; the second and third nights slacked off to a mere five hours, without a break” (see Campbell & Trent, p.161-162). It must have been something to behold.

Fortunately, an intrepid fan surreptitiously recorded a seventy-five minute segment one night utilizing a very primitive recording device and, while the sound quality is typically horrid, the music itself is terrific. How bad does it sound? Well, the volume levels fluctuate wildly while consistently retaining a significant amount of distortion; there’s some serious wow and flutter issues; and the monophonic, single-microphone recording is boomy, muddy, and generally indistinct. It doesn’t sound quite as bad as the 1969 Newport Jazz Festival recording, but it also doesn’t sound nearly as good as the 1968 Electric Circus tape. Let’s face it: your cell phone could make a far better-sounding recording. [Note - I believe this copy sounds better than the one Rodger describes - yotte] Nevertheless, the large-ish ensemble sounds particularly well-rehearsed (perhaps in preparation for their upcoming trip to France) and the free-wheeling performance goes to some very interesting places. For the hardcore Ra fanatic, this is well worth hearing as a rare historical document but most people will be understandably repulsed.




Caveats aside, the performance captured on this amateur recording is really quite stunning, beginning with a long unidentified title that alternates between a spacey, mellow groove and full-blast assaults of New Thing-styled energy music. Solos by John Gilmore on tenor sax and Ra on mad-scientist organ keep things interesting, ending with Danny Davis’s woody alto clarinet interweaving with the Arkestra’s antiphonal calls and responses. “Love in Outer Space” follows: a loping bassline holds down the jaunty groove while the entire Akestra gleefully bangs on myriad percussion instruments, with Ra stating the simple, joyful melody and soloing on electric organ. After a brief pause, Ra segues into a quiet, spooky organ improvisation accompanied by Alan Silva’s distinctive cello. After about five minutes, the horns enter with a curiously old fashioned, rubato ballad composition (title unknown) that eventually settles into a gentle swing. Kwame Hadi takes an adventurous turn on trumpet, with Ra rumbling away on organ. Pat Patrick follows with a typically ferocious bari-sax solo while the rhythm heats up and shifting horn sections provide riffing punctuation. After settling back down, the horns return with the old-timey ballad to end. Interesting.

What follows is one of the strangest bits of musical-theater in all of Ra’s discography. John Gilmore recalled the title as “Ladies and Gentlemules” (Id. p.162) and, while the recording is incomplete, the piece appears to be structured like a sanctified church service, with Ra fervently imploring the “gentlemules” to heed his message. The Arkestra plays some bluesy swing and ecstatically chants, but much of the preaching and carrying on is difficult to hear. However, the loud, unison refrain of “another jackass is going to take your place” is clear enough to get the point across. After about six minutes of holy-rolling chaos, the tape abruptly cuts off. Up next is “Somewhere Else,” a then-recent composition which would appear on the studio recording, My Brother the Wind Vol. II, in 1971. Not much happens beyond several repetitions of the lurching, block-chord melody over a gospel-ish vamp, but the effect is hypnotizing. After a brief organ and synthesizer solo (with some barely audible spoken incantations), Ra launches into the nineteen-twenties-era chestnut, “Sometimes I’m Happy.” The Arkestra sounds a little tentative in the ensembles, but Gilmore’s sure-footed tenor solo demonstrates his unique synthesis of pre-war swing, hard bop grit, and avant-garde extended techniques.

The tape concludes with a spectacular, thirteen-minute rendition of another My Brother the Wind Vol. II composition, “Pleasant Twilight,” According to Campbell and Trent, there are no other known live performances of this piece, which is unsurprising given its subtle complexity. Ra begins with a rhapsodic, rubato introduction on organ before the Arkestra enters with the brightly swinging composition. The tempo then slows down by half and, while the ensemble gently rocks back and forth between two lushly sustained chords, Gilmore peals off a starkly contrasting, barn-burner of a solo on tenor sax. Holy smokes! The Arkestra plays their parts with incredible restraint while Gilmore wails away with a terrifying fury. After a honking, emphatic conclusion, Gilmore leads the Arkestra through a half-time run through of the head before returning the original tempo for a high-spirited trumpet solo from Akh Tal Ebah. The Arkestra adds complementary horn riffs and, as the intensity builds, the tempo speeds up again for an enervated reprise and a big finish. Whew! The much abbreviated studio recording, while sparklingly polished, ultimately sounds downright staid compared to this expansive and inspired live performance. It’s a shame this tune fell out of the repertoire.
continue reading at NuVoid's Sun Ra Sundays




Many thanks to Paul W. for sharing his newly acquired copy of this audience tape.  Paul reports that this is a substantial upgrade in sound quality over the copy he has owned for several years.  LUCKY US!  Transparency is expected to release this show within the year.  I'm curious to find out if the official release will have improved sound and/or the missing 15-minutes (approx) that this recording lacks.  The track order of the download differs from the set list offered in The Earthly Recordings and I'm also curious as to what the track order will be in the forthcoming release.





168. [150] Sun Ra Arkestra

Sun Ra (Farfisa org, Mini-Moog syn, Rocksichord, voc); Kwame Hadi (tp, perc); Akh Tal Ebah (tp, perc); Marshall Allen (as, fl, perc); Danny Davis (as, acl, fl, perc); John Gilmore (ts, perc); Pat Patrick (bars, perc); Danny Ray Thompson (bars, fl, perc); Eloe Omoe (bcl, perc); Alan Silva (clo); Alex Blake (b); prob. William Brister [Rashid Salim] (d); prob. Lex Humphries (d); unidentified (perc).
The Red Garter, NYC, early July 1970
unidentified title [ts; org, syn; clo; acl]
Love in Outer Space (Ra)
unidentified title [clo, org only]
unidentified title (Ra)
[slow minor-key theme; Hadi, tp; Patrick, bars]
Ladies and Gentlemules (Ra) [SR, ens voc; inc]
unidentified title [clo, org only]
Somewhere Else (Ra)
Sometimes I'm Happy (Caesar-Youmans)
Pleasant Twilight (Ra)

There is a 90-minute audience tape of a small segment of this gig.  Location and date from Michael Wilderman; Lee Santa gives it more precisely as early July, and says that the Arkestra played a three-day engagement.  Santa says that the first night featured six hours of continuous music; the second and third nights slacked off to a mere five hours, without a break.  The Red Garter, a Greenwich Village club with obtrusive Gay '90s décor (which can be seen in photos from the original issue of The Solar-Myth Approach Volume I), is better known today as The Bottom Line.  Tommy Hunter and Danny Ray Thompson both recall working there during this period.




Titles and personnel identified by ct.  In a photo taken by Lee Santa, Thompson, Allen, Davis, and Gilmore are visible; Santa confirms the presence of Alan Silva as well.  This tape has often circulated as being from "Newport 6/69"; thanks to Michael Wilderman for help with "Ladies and Gentlemules."  John Gilmore recalled the title to this piece, which is best known for its loud refrain of "Another jackass gonna take your place" (the other words to this mock church service, complete with references to the "congregation," are very difficult to hear).
from The Earthly Recordings


The photos in this post and many more were snapped by Lee Santa.  High-resolution prints
are available for purchase at his website.




Sun Ra Arkestra
Live at the Red Garter NYC, Early July 1970

1. Somewhere Else   6:13
2. Untitled improvisation   3:51
3. Sometimes I'm Happy   6:15
4. Pleasant Twilight   12:52
5. Unidentified title   15:47
6. Love in Outer Space   8:00
7. Unidentified title   15:40
8. Ladies and Gentlemules   5:57

FLAC

or

320

Pics

New Links in Comments!!



8 comments:

  1. Hi Duxiland!
    I know, pretty exciting, right? I couldn't believe it when Paul W sent it our way - fantastic performances throughout.

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  2. Could we have new links for this one please.

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  3. I should point out that the pics and recordings are different quality from the newly released Transparency set.


    RS FLAC

    RS 320

    RS Pics

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  4. Is the transparency release better quality then?
    I think it might be on the way to me now along with a whole bunch of other transparency releases.

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  5. I'm not sure which has better sound quality - they're both pretty rough in places. The Transparency release includes around 8 1/12 additional minutes of music not previously released or traded and Lee Santa's pictures are a higher resolution than what is included here (+ there's more of 'em on the new release).

    I'm looking forward to hearing what people think of the Transparency release - I'd love to hear your thoughts when you have some time to spend with both.

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  6. yes, well time is the problem lately and I have 17 Sun Ra Transparency releases on their way to me soon as well as the 28Cd live Chicago set. Phew.

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    Replies
    1. Wow! 17!! That's a LOT of new music! I'm sure it'll take you quite some time to digest.

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