Although the "Vol. 2" in the title insinuates some degree of continuity
with its predecessor, this is a bit of a misnomer as the only
acknowledged connection with The Heliocentric Worlds of Sun Ra, Vol. 1
(the volume number only indicating the order in which they were issued).
Due in part to the wider exposure and distribution of the ESP label,
enthusiasts and critics were unanimous in their recognition of this
masterpiece of free jazz -- or, as Ra called it, "space jazz." The
Heliocentric Worlds of Sun Ra, Vol. 2 is comprised of three unique
compositions: "The Sun Myth," "A House of Beauty," and "Cosmic Chaos."
Sun Ra's work with an ensemble often presents a stated emphasis on the
percussive nature of solos as well as within the group context. The
underlying freeform anti-structure allows defining contrasts that
ultimately establish the progressing sonic sculpture. "The Sun Myth"
showcases Ra's definitive capabilities to guide his assembled musicians
from anywhere within said group. He is heard on this recording
initiating improvisational exchanges on tuned bongos -- for a portion of
the track -- rather than from his customary keyboards. The resulting
interactions include mesmerizing bass solos from Ronnie Boykins as well
as some impassioned alto sax work from Marshall Allen. Directly
contrasting the works that surround it is "A House of Beauty." The
emphasis shifts, juxtaposing Allen's unfettered piccolo solos with Ra on
piano and Robert Cumming on bass clarinet. Of particular note here are
Ra's achingly lyrical piano runs and chord progressions, which weave
between the light percussion beds and the dominant woodwind section.
"Cosmic Chaos" is the final and most archetypal of the ensemble works
that Ra and his various Arkestras would produce throughout the '60s. The
extended piece begins with rush upon rush of aggressive counterpoint,
building into unreserved group crescendos that are likewise punctuated
by various woodwind soloists.
AMG Review by Lindsay Planer
On The Heliocentric Worlds of Sun Ra Volume 2, Ra and his Solar Arkestra stretch out and really explore. Recorded nearly 7 months after its predecessor, with a somewhat different line-up of instruments, Vol. 2 trades Vol. 1's more subdued approach for a generally louder, more extroverted excursion. Things get underway with the mournful, bowed bass and wild, untamed percussion of the nearly 18-minute long The Sun Myth. As the exploration continues, deep piano rumbles and crazy high-end brass swirls in spinning vortices through swells of deeper brass, building to climaxes, falling off into spacious emptiness, forming into rhythmic passages that then dissolve into free form chaos again. Finally the piece eases into deep, organic bass tones, quieter cymbal crashes and slow, mysterious and spacey swells of brass to finish things off. A House of Beauty is the only shorter piece on the album, but still manages to range from a free form beginning of shrieking piccolo and stabbing bass to almost ballad style piano jazz and back again. The nearly 15-minute long Cosmic Chaos is a dazzling free form workout, although this is not totally free form. Under Sun Ra's guidance, the Arkestra were masters of emergent rhythms, tying together explosive freak-outs to quieter solo sections with seductively rhythmic passages. Ra also utilizes reverb effects on this one to create some truly cosmic stretches of sound through the middle, with weird, spacey jangling percussion punctuated with dry and bouncing tuned bongos. Truly cosmic jazz!
from an Aural Innovations dot com Review by Jeff Fitzgerald
These sessions were recorded at a pivotal time for the Arkestra. After Sun Ra moved from Chicago to New York in 1961, his albums became increasingly more dissonant, adventurous, and free, penetrating deeper into the spatial motifs that, by 1964’s Other Planes of There, finally begin abandoning the strong archaic imprint of Ra’s mentor Fletcher Henderson and living up to Ra’s “space jazz” concept. 1965, the year of the Heliocentric Worlds session, was also when Coltrane departed from the quartet and formed larger band not unlike Ra’s, developing a concern for cosmic transcendence, and playing on a more dissonant plane on long free albums such as Ascension and Om. Coltrane helped achieve his new sound with young stars of the free jazz scene like Archie Shepp, Pharaoh Sanders, and Freddie Hubbard, the Arkestra’s new East Village neighbors at the time. Ra, however, didn’t infuse his unit with new blood, but instead created his contemporary sounds with John Gilmore, Marshall Allen, and a few more members of his old Chicago cast – pushing together into new galaxies, all the while showing the hip free youngsters that, beneath their wild costumes, theatrics, and unusual concept, the Arkestra could run with the best of ‘em.
Heliocentric Worlds Volume 2 contains the long suites “The Sun Myth” and “Cosmic Chaos” with a shorty, “House of Beauty” stuck in the middle (first song, second side on the LP). The “Sun Myth,” introduced by some sophisticated bowed bass work by Boykin, turns on its head when the bongos and cymbals collide against it in random patterns. As the percussion intensifies, a long series of passages begin that feature exciting solos by Gilmore and Allen. “House of Beauty” is a sparse ugly beauty clearly from another realm whose highlights include Ra’s clavoline and piano, more classically informed bowed bass, and Allen’s piccolo fluttering like a PCP butterfly. After it fades out it descends into the aptly titled “Cosmic Chaos.” This one really moves and winds up with a generous helping of Gilmore in top form - stealing the show with his vast vocabulary of frantic bursts and runs alone and accompanied. Though it’s a bit more erratic and meandering than the other numbers, it’s the one with a big finish.
Heliocentric Worlds Volume 2 contains the long suites “The Sun Myth” and “Cosmic Chaos” with a shorty, “House of Beauty” stuck in the middle (first song, second side on the LP). The “Sun Myth,” introduced by some sophisticated bowed bass work by Boykin, turns on its head when the bongos and cymbals collide against it in random patterns. As the percussion intensifies, a long series of passages begin that feature exciting solos by Gilmore and Allen. “House of Beauty” is a sparse ugly beauty clearly from another realm whose highlights include Ra’s clavoline and piano, more classically informed bowed bass, and Allen’s piccolo fluttering like a PCP butterfly. After it fades out it descends into the aptly titled “Cosmic Chaos.” This one really moves and winds up with a generous helping of Gilmore in top form - stealing the show with his vast vocabulary of frantic bursts and runs alone and accompanied. Though it’s a bit more erratic and meandering than the other numbers, it’s the one with a big finish.
119. 106] Sun Ra and his Solar Arkestra
The Heliocentric Worlds of Sun Ra Volume 2
Sun Ra (Clavioline, p, tuned bgos); Walter Miller (tp); Marshall Allen (as, fl, picc); John Gilmore (ts); Pat Patrick (bars, fl); Robert Cummings (bcl); Ronnie Boykins (b); Roger Blank (d, perc).
Sun Ra (Clavioline, p, tuned bgos); Walter Miller (tp); Marshall Allen (as, fl, picc); John Gilmore (ts); Pat Patrick (bars, fl); Robert Cummings (bcl); Ronnie Boykins (b); Roger Blank (d, perc).
RLA Sound Studios, NYC,
November 16, 1965
November 16, 1965
The Sun Myth (Ra)
A House of Beauty (Ra) [pic, Clav, b only]
Cosmic Chaos (Ra)
Originally issued in 1966 on ESP-Disk' 1017, The Heliocentric Worlds of Sun Ra volume 2. According to Henry Weld, it was also available on ESP 8-track tapes in the 1970s.
There have been many reissues: Fontana STL 5499 (1970s), Base ESPS-1017 (Italy, 1981), Boots 2406 (1982), and on CD, German ZYX ESP 1017 from 1992 and Japanese ESP TKCZ-79116. Bootleg reissues on Explosive 538.108(French, c. 1970), Happy Bird B 90132 (German 1983, with the title The Sun Myth), and Magic Music 30012 (German CD, 1990, with the same title). Some tracks bootlegged on French Monkey MY 40 014 (1970s). According to Mark Webber, a 45-second excerpt from "A House of Beauty" was included as track 16, Side B, on the ESP Sampler, ESP-Disk' 1051, around 1967.
A bootleg LP reissue of Heliocentric Worlds Vol. 2 recently appeared in Italy on Get Back GET 1005.
"The Sun Myth" has been mastered three different ways! Thanks to Victor Schonfield and Julian Vein for contributing research on this vexed matter.
1) The original release of ESP-Disk' 1017 (mono and stereo) had African singing throughout the piece, mixed as loud as the instrumental parts. This version had (in mono) "ESP 1017A" and "152" as matrix numbers. Some copies of 1017B with the 152 suffix were issued with a second version of 1017A (on these no changes were made to Side B, i.e., "A House of Beauty" and "Cosmic Chaos").
[If anyone could share the above version, I would LOVE to hear it! Thanks, yotte]
2) The original release was quickly withdrawn, and replaced with a more common variant in which the African voices are mixed way down and can be faintly heard at the beginning and end of "The Sun Myth." This was marked (in the stereo version) EsPS1017A-A(68), ANM967, and DBH.
3) The final remastering removed the African voices entirely. James Wolf has found a mono ESP-Disk' pressing with no voices and the matrix indications ESPM1017A-1, ORT-2, and DBH. The last pressings on the original ESP-Disk' label used this final mastering, as did all subsequent reissues, authorized or bogus, including the German ZYX CD from 1992.
The Heliocentric Worlds of Sun Ra Volume 2
(LP Rip)
(LP Rip)
1. The Sun Myth 17:48
2. A House Of Beauty 4:45
3. Cosmic Chaos 14:49
-FLAC-
or
-320-
The Heliocentric Worlds of Sun Ra Volume 2
(CD Rip)
(CD Rip)
1. The Sun Myth 18:21
2. A House Of Beauty 4:55
3. Cosmic Chaos 15:13
-FLAC-
or
-320-
In 2010 ESP Disk' reissued all three
Heliocentric Worlds volumes in a single 3-CD package. The reissue
includes several photos, critical writings, and the 1968 documentary
"Spaceways."
Heliocentric Bonus Material
Thanks to I-) for scouring the web and sharing the following images!
